William Wilberforce Quotes
We are too young to realize that certain things are impossible... So we will do them anyway.
Quotes to Explore
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Films are not the sole area in my life. Films are a passion. But it's not like I'll die if I don't get another movie. I'll grow, I'll flourish, I'll learn something new, but I'll always do something that I like. If I get the right film, I'll do it. I will not compromise for anything else.
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I enjoy all kinds of performances and take each role differently. I keep the audiences in mind.
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It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.
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I wouldn't want to be remembered as the guy who contaminated a perfectly legitimate form of protest art with money and celebrities.
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I tell my students based on my experiences in Hollywood, sure, you can always move to L.A. and try to work with the system, and people do that, but chances are if you want your story in film with characters of color, you will have to make that movie yourself. Find a way to make it yourself. Not just screenwriters, but also producers.
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'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.
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I have an appetite to always learn.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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I've learned the importance of loving what you do. I have also learned more patience due to the nature of the music business.
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I broke a lot of conventions. Look, I spent a long time as an actor. I spent a lot of time playing pretty ordinary arcs.
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I don't marry bandmates just to go marrying bandmates.
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A traveller on foot in this country seems to be considered as a sort of wild man or out-of-the way being, who is stared at, pitied, suspected, and shunned by everybody that meets him.
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We have a George Foreman grill on the bus.
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Every book has to start with a first chapter, and I think that 'Middle of Nowhere,' 'Mmmbop' and 'Where Is the Love' are good places to start for us. I don't think it's a bad place.
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I had done quite a bit of research about math education when I spoke before Congress in 2000 about the importance of women in mathematics. The session of Congress was all about raising more scholarships for girls in college. I told them I felt that it's too late by college.
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I grew up with 'Star Trek,' so to get to do anything in it was fun for me.
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Small businesses want things streamlined, and one of the great successes we're having is less paperwork, faster turnaround times.
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I was raised to be an independent woman, not the victim of anything.
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When you act, you want to emote and think in that language. I don't enjoy the process of doing a film in a language I am not good with.
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You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.
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The idea that murder victims' families are best served by continuing the cycle of violence is something that I consider to be not only a lie, but criminally negligent. You lie to victims' families when you tell them they're going to receive closure if they participate in the process and witness the execution of a human being.
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When I was 13, I really used to skip down the street, happy in thinking, "Oh, well, someone's suffering pain in order for me to feel this pleasure."
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You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
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We are too young to realize that certain things are impossible... So we will do them anyway.
