Morgan Fairchild Quotes
I was a little fat pudgy kid with big thick glasses, and I was quiet and never said a word, you know -- teachers loved me, straight-A student.
Quotes to Explore
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Those who are easily shocked should be shocked more often.
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I still drink vodka; I'm not an advocate of drinking, but I'm no angel. I don't like grass, because it just makes me hungry.
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Of course a woman who decides to work full time as a mother in the home can be happy and deserves full respect from us. Motherhood is one of the most challenging and creative jobs anyone can do. The goal is to remake the world so that our choices are not so stark.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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I've been kind of toying around with the bi thing in my head. I wouldn't ever give myself the label 'bisexual', but bi-curious? Yea.
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I'd never even been to Wrigley Field. I never even enjoyed baseball that much, but I loved being there, the crowd was lovely, and they all sang with me!
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The bird is powered by its own life and by its motivation.
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This is a world in which reasons are made up because reality is too painful.
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If India has to achieve exponential growth, it would have to be on the back of strong growth in the manufacturing sector.
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Once people realized that, 'Hey, we're going to be left on Earth here, and everything is going to hell quickly,' sci-fi soon became about our own self-destruction.
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People do ask me if I think I can make it in the States.
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When you find something that you really love to do, you kind of just know instantly that, OK yeah, I want to do this for the rest of my life.
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I definitely have a little attraction to bad guys, but they have to be sweethearts underneath. After all, I like to be treated well.
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I think that our cooperative conservation approaches get people to sit down and grapple with problem solving.
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There's footage of me bouncing around, all uncoordinated, trying to work out how on earth you're supposed to do a rising trot on a really extravagant moving eventing horse.
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My satisfaction comes from my commitment to advancing a better world.
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If you have a lot of sweetness and quirkiness, someone's got to have a little bit of bite against that.
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I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
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I don't think that sin and pursuing happiness are not necessarily the same thing.
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I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
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We don't think of ourselves as being perfectionists, really. To us it's more about desperately trying to have it sound more or less OK.
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My kinfolks thought more about character than about culture. They said culture could be acquired but character had to be formed. Character had to be hammered into shape like hot iron on an anvil. It had to be molded in the most exact and unrelenting form.
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A song without music is a lot like H2 without the O.
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I was a little fat pudgy kid with big thick glasses, and I was quiet and never said a word, you know -- teachers loved me, straight-A student.
