Otto von Bismarck Quotes
Quotes to Explore
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I like to prove people wrong.
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But I'm the sort of person who, if certain structures topple, it could all go horribly wrong.
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Beauty without expression is boring.
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Five wives can't all be wrong.
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I thought Sarah Palin was the ultimate expression of comic outrageousness in a person.
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In Europe and Sweden, we see boobs on TV, and it's not a big deal. Everyone has them; everyone has seen them.
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I wear my Viking helmet because the horns define how sharp my brains are. If you try to rub me the wrong way, I will stick you with both of my horns.
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It will be undertaken, of course, in the June or July summit, and then to bring NATO closer to Russia or vice versa is a way to move toward integration - toward the integration of Europe.
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Humanity is acquiring all the right technology for all the wrong reasons.
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Being boring is just wrong, isn't it? You wouldn't have got anywhere being boring.
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Seen from the United States or Europe, Iran's nuclear program often causes most concern, but from the perspective of countries in the Asia-Pacific region, the North Korean program is equally worrying.
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I love proving people wrong.
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Maimed but still magnificent... Europe's mightiest medieval cathedral.
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People have said to me, 'It must be nice to prove so many people wrong,' but I've never really cared about proving anything to anybody else.
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Saddam Hussein was a horrible man, and I am pleased he is no longer running Iraq. But the war was wrong.
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Rising anti-Semitism is rarely the lone or the last expression of intolerance in a society.
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Politics are usually the executive expression of human immaturity.
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Art, whatever form it takes, requires hard work, craftsmanship and creativity. As a writer, I know my grammar, cadence, the music of prose, and the art of the narrative.
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I feel there is something nice about not talking. Like you can say more by actually saying less.
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The trend now is to shoot in Canada because it's cheaper, and they don't care what the location is.
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One must obey the man whom the city sets up in power in small things and in justice and in its opposite.
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Subplots bring realism to your main plot simply by existing – by interrupting the flow. Why is this? Because life doesn’t move forward all at once. Interruptions happen, change rushes in, we juggle three or ten balls at once. Readers don’t expect continuous narratives.
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Whoever speaks of Europe is wrong: it is a geographical expression.
