Amy King Quotes
We are metered only by our own machines, while the book is a clock that forgets her machanics.
Quotes to Explore
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It takes me a long time writing books. It takes me about five years to write a book, and when I'm done, the last thing I want to do is to do it again.
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For me, the whole process involves envisioning this book in my head as I'm working.
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Every book I write, the media just keeps punching me in the face.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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I don't really know what the Great American Novel is. I like the idea that there could be one now, and I wouldn't object if someone thought it was mine, but I don't claim to have written that - I just wrote my book.
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When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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Writing blurbs for books means you have to read the book, and it cuts into the business of bookselling. So every time I get a blurb from a bookseller, I try to write a thank you note.
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I think I'm gonna attach myself to the sinking ship that is book publishing.
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I've soaked up so much through dancing, but I also have to be still. I want to be silent and read, to shut up and take time to respect the vision someone put into a book.
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Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.
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I don't know where I would place myself in the literary landscape. I really just write the book that I would want to read. And I put on the blinders, and I really - it is, for me, that simple.
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I've been wanting to write a book about what goes into creating a novel, and the story behind 'A Passage to India' is especially interesting.
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The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
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I never think about genre when I work. I've written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.
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I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.
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My yachts were, I suppose, outstanding status symbols.
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Money is a singular thing. It ranks with love as man's greatest source of joy. And with death as his greatest source of anxiety. Over all history it has oppressed nearly all people in one of two ways: either it has been abundant and very unreliable, or reliable and very scarce.
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Marry an outdoors woman. Then if you throw her out into the yard on a cold night, she can still survive.
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We are metered only by our own machines, while the book is a clock that forgets her machanics.
