Amy Sillman Quotes
It's more this instinct to get in trouble, and then get myself out of trouble. That's what painting is for me.
Quotes to Explore
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It's interesting to have two totally unlikable characters as the love interests on a show.
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I would love to have been around in the Keystone Studios days.
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The only way to defeat evil is by taking advantage of our freedoms.
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I've always been a rough kid.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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There are films you see that only reach your eyes. Then there are films that you can watch... that reach down to your throat, or reach your heart. 'In the Mood for Love,' though, reached all the way to my belly.
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Unfortunately, we can never truly know if we're making the right decision. What we do know is that wherever we are, that's where the Light wants us to be. It's the best place for us to be now. And as long as we don't try to control the situation, then we won't end up in the place we shouldn't be.
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You must photograph where you are involved; where you are overwhelmed by what you see before you; where you hold your breath while releasing the shutter, not because you are afraid of jarring the camera, but because you are seeing with your guts wide open to the sweet pain of an image that is part of your life.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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My chutzpah was me singing to Mario Lanza. So Mario looked at me after I talk-sang 'Be My Love' for the first time; he took the lyric out of my hand as contemptuously as you can take a lyric out of someone's hand, and he sang 'Be My Love' back at me.
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I've got tons more stuff to do.
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I believe that the only people who really, truly benefit from any of the policies of Republicans are the wealthy. I'm in that 1 percent tax bracket, but I'm not a man of wealth.
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Ernest Hemingway did a great deal toward making the writer an acceptable public figure; obviously, he was no sissy.
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My solo playing utilizes the deployment of suggestive psychic rhythms. I'll state these throughout a given piece and play thematic improvisations on top of that. I like to suggest that rhythmic movement without always playing it. I like to create openings that I can step into.
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With any hallucinations, if you can do functional brain imagery while they're going on, you will find that the parts of the brain usually involved in seeing or hearing - in perception - have become super active by themselves. And this is an autonomous activity; this does not happen with imagination.
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I was in the canon When Absalom was slain. I was in Llys Don Before the birth of Gwydion.
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And ne'er did Grecian chisel traceA Nymph, a Naiad, or a GraceOf finer form or lovelier face.
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I am often compared to actors who were launched with me. I feel blessed with whatever I have got so far.
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Contrary to what many Westerners believe, Islam has a rich tradition of secular painting in spite of its ban on images. It is only in religious rituals that the use of pictorial representation is totally prohibited.
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Musical composition, about which I know little, is a complicated art, and some contemporary music may be the equivalent of a complex abstract painting.
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Keep all ur troubles in ur own pocket. But, make sure that the pocket has a hole!
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Writing is fifty years behind painting.
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I know this is going to get me in trouble, but I'll say it: The whole notion that I am supposed to constantly tweet is ridiculous. There are a lot of journalists at the New York Times who tweet. I am not opposed to it. But I don't have enough time. And editors don't have much to say. My world consists of this office, this floor, my apartment and wonderful conversations with our reporters and correspondents - all of them know a lot more about the world than I do.
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It's more this instinct to get in trouble, and then get myself out of trouble. That's what painting is for me.
