Anagarika Govinda Quotes
Quotes to Explore
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Nothing is over and done with. Nothing. Not even your malice.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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It was a movement that had all the art critics, all the museum directors in its thrall.
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I started playing in bars when I was about 15 years old, and there are things that I saw early on that really shaped who I am.
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I placed my new novel, 'The Book of Lost Fragrances', in Paris, knowing it would be a challenge. But the book belonged in the city that is one of the greatest perfume capitals of the world and has been since for more than three centuries.
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There are regulators at the SEC and elsewhere who are really excited about the potential of the blockchain. They understand you can build a robust financial system - it would solve all your black swan problems. All kinds of mischief and games that are played in the current system become impossible in this system.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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I've been in situations where I was the only black guy. We're in a time now where nobody wants to see that. But it still happens.
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I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping.
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I entered the acting world at a time when there was a higher demand for Middle Eastern actors in the post-9/11 world, and yeah, the roles weren't great.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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It is tough to say what has influenced me the most because I know that Mozart makes me think better, but you cannot beat Dave Matthews for feeling good!
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When you're trying to accomplish lofty goals, and when you're attacking something of great magnitude, you have to have help.
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When I started out in the industry I was 14 and a beanpole, but over the last few years I've grown. For the most part I feel pretty OK with how I look. I know I'm different from the typical Hollywood ideal of what is beautiful. But quite frankly I don't think that's attainable, and I'm happy to represent something different.
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I didn't choose acting. The universe did.
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I know one writer who has been subscribing authors without their permission and sending out what she thinks are helpful advice sheets, but they come off as if she's a know-it-all. She thinks she's marketing herself and her work. All she's really doing is turning readers off.
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Going back into the history of a word, very often into Latin, we come back pretty commonly to pictures or models of how things happen or are done.
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With any project I work on - not just 'True Detective' - I don't feel the need just to play a strong woman. I don't want the audience to say, 'Oh, she was so strong.' I want to play characters that are flawed and interesting.
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Lesser artists borrow, great artists steal.
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In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it's a loss that has done a great deal of damage to modern art. Painting is a return to origins.
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None of the longest-lived people ran marathons or pumped iron. They live exactly as their grandparents before them - surrounded by family and friends.
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There are just some things that you can't deny.
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Religion without art is a dead system of dogmas which have no effect on life.
