Vidal Sassoon Quotes
Quotes to Explore
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I always watch the work I do.
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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If you learn the craft, you can make a movie and get by with tricks.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I would love to do a 'Scream'-type movie.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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I had traveled 10 states and played over 50 cities by the time I was 4.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.
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We are like the mechanism of a watch: each part is essential.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
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Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
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My pessimism goes to the point of suspecting the sincerity of the pessimists.
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Accepting money from the federal government to conduct research places academic inquiry in the service of national interests.
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With drugs, there are some dangers. There are dimensions in which you are completely incapable, and if through some molecular disturbance you fell into one of these it is possible that you could not find your way back.
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I hope I remember everything," said Toni. "You won't," said Trapp. "That's how you learn. But after you make the same mistake one, or two, or five times, you'll eventually get it. And then you'll make new mistakes.
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'The Pianist' is a movie I could watch over and over again.
