Vidal Sassoon Quotes
Quotes to Explore
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I always watch the work I do.
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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If you learn the craft, you can make a movie and get by with tricks.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I would love to do a 'Scream'-type movie.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.
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We are like the mechanism of a watch: each part is essential.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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I don't leave the house without thinking of how to represent myself.
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A lot of shows fly under the radar for the first couple seasons and then become successful. It doesn't necessarily have any bearing on the success of the show or how much the network is behind it.
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I do sometimes watch 'Dr. Who' and while the stories barely make sense, if at all, the doctor is such great company I don't care.
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We had all these smiley family pictures all over the walls of my house, but I always found those pictures to be odd because we weren't smiling all the time. I don't want to paint the picture of a total dysfunctional house, but there were a lot of arguments in that house. A lot of pain.
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'The Pianist' is a movie I could watch over and over again.
