Nathan Meyer Rothschild Quotes
Quotes to Explore
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I always watch the work I do.
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I don't really like to explain my songs.
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People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
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I like to prove people wrong.
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I don't like people cleaning my room.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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I like to grow and experiment, and as an artist, it's about kicking the bar up a little.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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I like risky stuff.
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Excessive speed and quantity are, like chattiness and digression, besetting sins of cyber-assisted authorship.
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I don't like celebrities; I don't hang out with them; I don't relate to that life.
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My wife had taken off on a plane. Two airplanes had crashed into the World Trade Center. I, of course, like any other person, felt potentially devastated, panicky a little bit.
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Growing up, there were no families on TV that looked like mine.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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Most artists like to think of themselves as rugged individualists, as independent characters.
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I don't like things like little sandals that look fragile. I like to look strong and commanding.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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I like to think of myself as a storyteller.
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I feel like there's different kinds of evil and there's different kinds of villains, and as much as I would like to be dark and playing with knives... it's not me and it's not my look.
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Many great novels have shown a world torn to shreds by the brutality of war. To do so, their authors ground their texts in the details of destruction and decay.
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Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
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The look of being too deliberately dressed, with everything cautiously matching, always bores me.
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The key step for an infielder is the first one, to the left or right, but before the ball is hit.
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We are like the mechanism of a watch: each part is essential.
