Sam Underwood Quotes
I always look for interesting, complex characters. You know, interesting, well-written material.
Quotes to Explore
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Humility is the foundation of all the other virtues hence, in the soul in which this virtue does not exist there cannot be any other virtue except in mere appearance.
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Most athletes are media shy. They keep to themselves and to their training. I'm not saying it is absolutely necessary for them to come out and face the cameras with confidence, but if they do, it will only help them. They will find themselves closer to their fans and will also get their word across more effectively.
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We must break problems down into small, digestible bits. We must define the concepts that we use and explain what components they consist of. We must tackle small problems.
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I was raised Catholic in Rockford, Illinois. But I'm not a practicing Catholic anymore. Oh God, no.
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Everyone at Junction Point has been inspired by the creative folks at Pixar and Disney Feature Animation to make 'entertainment for everyone.'
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I started as an actor. I started directing because Steppenwolf needed another strong director.
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The Reserve Bank cannot just exist; its ability to say 'no' has to be protected.
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Fear is the dark room where the Devil develops his negatives.
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I was born in San Diego, and we moved to Los Angeles when I was seven. A couple of years later, I started acting!
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What we want is to make something that fills utterly the sight and can't be used to make life only bearable.
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Growing up in the suburbs, I used to listen to punk rock, Brand New, Taking Back Sunday. And no one from my high school listened to it.
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Wherever I go in the world, I'm treated like royalty.
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Everybody in the black community must organize, and then we decide whether we will have alliance with other people or not, but not until we are organized.
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I've lived in New York for a really long time.
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I think it's important for an actor to see the work they've done because every time you revisit a work you come up with a new way of improving it. It's a good way to brush up your craft and your skills, so I think it's a good thing to do, keep seeing your films.
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The qubit acts as a bridge between the microscopic and the macroscopic worlds.
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I was always taken in and out of school.
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There's a smartphone gait: the slow sidewalk weave that comes from being lost in conversation rather than looking where you're going.
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Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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Yo La Tengo were a major inspiration for me because they're one of the first bands that I got into on my own, separate from my parents, when I was in high school. I have all their albums. That's the place we'd like be in someday.
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I'm not concerned with people seeing me in a certain way. Some people see me as a kid, some people see me as an adult. But I'm seriously not going to complain how anybody sees me, as long as they see me.
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I always look for interesting, complex characters. You know, interesting, well-written material.
