Lance Ito Quotes
And the American public was able to make up their own mind whether this verdict was a just verdict or not. So I think there's a lot of value in the public being able to see how the system works or doesn't work, so I think there's a definite value there.
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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I have an issue with rage. I'm going to work that out, long term.
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I grew up playing on unprepared surfaces where your wicket depended on quickly adapting to the bounce. As a kid, I could never differentiate off-spin from leg-spin. All I looked to do was to try to hit the ball before it pitched.
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When nature has work to be done, she creates a genius to do it.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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You cannot reform your society or institution without opening your mind.
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I feel the need to work with my wife, Lena Olin, again.
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You have to work with the auto industry, the oil companies, you have to work to develop renewable fuel, whether it's solar or different kinds of fuel or whatever.
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When I have a bad day, I dream about opening up a gelato stand on the streets of Sydney, Australia. Doesn't everyone have a random escape fantasy?
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Making $30,000 on my first business deal was exciting, but not as exciting as the sudden knowledge that I did not have to work for anyone again.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
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I'm an immigrant myself. It was a tough road to come to America and work.
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From an early age I didn't buy into the value systems of working hard in a nine-to-five job. I thought creativity, friendship and loyalty and pushing the boundaries of what was acceptable was much more interesting.
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When any kind of military action is popular it's because either there's been a very clear, direct threat to us - 9/11 - or an administration uses various hooks to suggest that American interests were directly threatened - like in Panama or Grenada. And sometimes, those hooks are more persuasive than others, but typically, they're not put before Congress.
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The studio work that I do allows me to connect with people around the world. You can't perform live for everyone, so having the ability to share my creative vision with others is very important to me as well.
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It would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, as portrayed by Milton.
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The writing of You've Got a Friend was one of the most incredible experiences because it was mostly inspiration. It just came to me almost as we hear it.
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And the American public was able to make up their own mind whether this verdict was a just verdict or not. So I think there's a lot of value in the public being able to see how the system works or doesn't work, so I think there's a definite value there.
