Tony Hillerman Quotes
Quotes to Explore
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I have thought a sufficient measure of civilization is the influence of good women.
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I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
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Don't be afraid in nature: one must be bold, at the risk of having been deceived and making mistakes.
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I stay true because whatever the project is, I'm still looking for inside of that character. It's the thing that connects him to me and to everybody else. So, the search is the same. It's to unveil the truth, and that's how I stay true, because my purpose isn't altered.
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I like being unconventional.
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Scientists at MIT and engineering schools all across America say that they could improve the fuel economy standards for the existing set of vehicles by 10 miles per gallon using existing technology, without compromising safety or comfort at all.
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My music is best understood by children and animals.
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The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity; that, at least one may replace the parent.
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I don't feel under-taxed in any way at all.
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It wasn't until I set out to write a novel about marriage that I realized how little I knew about the institution.
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If they can go out and buy my albums, I can at least make the sacrifice to holler at the few people who call. A lot of times I'm busy so they'll get my voice mail. And if I can speak to them and I have time, I always text back. Because I think that's very important.
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As a writer, I've always felt it's my job to be extremely careful when writing about victims, especially women.
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I was successful materially, but I know life is much more than worldly success. I saw all these blessings God had given me. The way to give thanks is obedience to God.
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A block chain is a series of blocks. Each block is a series of computations done by computers all over the world using serious cryptography in a way that's very hard to undo.
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I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
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Perhaps too much of everything is as bad as too little.
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In Benin, there's a thing that family members wear the same pattern of traditional African clothing.
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There is definitely that thing here a little where people are like 'Oh that Broadway girl has come to Nashville' and I'm like 'Listen you guys, I was singing country before I even got a Broadway show. And I'm from Kentucky.'
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I wrote 'Time of the Dark' in 1978 and 'The Silent Tower' in 1984, so the thing that sticks out for me is how totally technology has changed. I suppose that's the great peril for real-world crossovers.
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I was able to lean on people for favors and things to help out because their budget was so low. It was half of what John Travolta's perk package is on a film. Our whole budget was half of what his staff makes on a film.
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I grew up in East Flatbush, Brooklyn. At the time I was growing up with my father - before it was gentrified - it was a very rough neighborhood. He felt that if I got into or started embracing the rap culture, I would be one step closer to being on the streets.
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It's that experienced eye that knows what the public loves and how to create that Hollywood magic that drives pop culture.
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Being Indian is not blood as much as it is culture.
