Wendie Malick Quotes
The whole publicity machine is a very weird one. It's kind of a necessary part of what we do here, but this helps me keep grounded.
Quotes to Explore
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I was that weird eight-year-old who was really interested in Shakespeare and understood it and appreciated the language.
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I used to kind of go for it, right? Like, I'd be the one who would say, 'All right, there's Kate Moss. I'm going to try to make out with her.'
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It is not weird for a dad to be doing the dishes, the laundry, and taking the kids to school, and read them stories for bed.
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I don't do a film unless it has a sword in it. And if it doesn't have a sword in it, I insist that they have one in the same room to keep me comfortable.
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I wear my Viking helmet because the horns define how sharp my brains are. If you try to rub me the wrong way, I will stick you with both of my horns.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me.
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I have been desperate to escape for so many years now, it is routine for me to try to escape.
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There are guys out there faster than me.
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I took this 'how to build computers' course basically because I'm sick and tired of getting ripped off by cheesy computer companies. Software baffles me. I like hardware. I used to change my own oil, and now I want to build my own computer so I can have what I want.
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I don't know how to be a rapper. I just know how to be me.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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Chemo days make me tired, though it's hard to say that's because of the chemo when you have kids who have inherited their dad's usual energy level.
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To me, charity often is just about giving, because you're supposed to, or because it's what you've always done - or it's about giving until it hurts.
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I love a woman who can out-eat me.
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Flirting is funny. And it's awkward and weird.
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I just lucked into this weird, little obscure cameoesque film career. I just love being a part of film history.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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I need to make things mine. It annoys me to buy something that is imposed on me. When I have a suit made, I go to the Sicilian tailor Alessandro Martorana in Turin. I like shorter jacket sleeves and often fold the cuffs up. It's more modern that way.
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I have always hated machinery, and the only machine I ever understood was a wheelbarrow, and that but imperfectly.
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I still don't believe that all pieces of music are the same price. I just don't think that's America.
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And so I put down some of the things that he said, about keeping your tools sharpened and not letting them lie on the ground where they get hurt or get abused and dirty and can't find them. And some thoughts about how his father used to do things.
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Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got a job at the University of Minnesota, which was very fortunate because it was a part-time job and that gave us a great deal of time in our studio to work together and to make the pots we wanted to make.
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The whole publicity machine is a very weird one. It's kind of a necessary part of what we do here, but this helps me keep grounded.
