Maggie Siff Quotes
As an artist, I think it's critical for keeping yourself alive that you try to get your hands into something a little bit more intensely. It's one of the reasons why I love theater because you never actually let go of it and it never feels like there's a tremendous distance between the process and the product.
Quotes to Explore
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I am telling you, if you ever wanted an ego boost, leave your job and then, six months later, come back for a day. People will treat you like you're a princess.
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My dad played guitar, and he taught me enough to play some Beatles' songs. But primarily, I was a bookworm. I loved reading and still do. My whole family does. It was part of the family culture. Accomplished literacy was a value.
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The ox suffers, the cart complains.
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Let us consider the glorious Saint Paul: it seems that no other name fell from his lips than that of Jesus, because the name of Jesus was fixed and embedded in his heart.
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I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
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I've been terrified of the water, and yet it seems I'm forced to go into in on every movie that I make.
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Green, red, and mixed shades of haemins are known. If magnesium is replaced by iron in chlorophyll, green haemins are obtained. Their colour is due to a strong band in the red which is already recognized in chlorophyll.
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I'm dyslexic, and it takes me longer to memorize and to embody the character so I can really own it.
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I toured a lot in the U.K. and Europe solo for a lack of funds, really. I left people I'd been playing with for years at home, just because I couldn't afford it.
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The 2 million people who work in the NHS and social care are also themselves patients and users. I know they all want to treat patients and users the way they and their families would want to be treated and that is the purpose of our reforms.
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When the line started to blur between the fans and the players, sometimes things can get ugly.
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My family lives in Miami, and I always envision myself, if something happens, it'd be like 'The Day After Tomorrow' where I walk across country to find my family. That would be the kind of person I would be. I feel like I wouldn't be as scared. If it happens, it happens. You face it.
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The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally.
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I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
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I would love to be a professional athlete. When I was living in Mexico as a teenager, I did seven years of gymnastics and went to the Junior Olympics. I was getting to the level of going to the international competitions, but I was only 14, and my parents were really worried because they did not want that to be my life.
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We have people working for us full-time because they were forced to retire at 65. I know that I never want to stop working, and I am glad that I can offer positions to others who feel the same way.
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I love football, football is my life.
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We have this incredible ability to communicate with each other. I want to play around with it, see what this mass audience is really capable of.
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It's more about conception and touch and spirit and soul than whether my hardware was in place.
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I am a writer. Being critical is a writer's responsibility.
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I'm not an experimental artist. I have no talent for that. I need a certain kind of antecedent form to follow.
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It was all done at the same time. We sort of arranged the whole thing and cut it in half. A good example is an artist who does two canvases. He paints an abstract painting and then splits them. He shows the public the first piece and has them get used to that first piece. Then he gets the second piece and lets them get used to it, and then he puts them together and lets them see how they make sense together. So they make sense separately, but they also make sense together.
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I had a group of Hispanic Americans come into my office in 1976 who worked in a Denver packing plant. They had just been fired by their employer who turned around and hired illegal aliens for a lot less money. That had a big impact on me.
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As an artist, I think it's critical for keeping yourself alive that you try to get your hands into something a little bit more intensely. It's one of the reasons why I love theater because you never actually let go of it and it never feels like there's a tremendous distance between the process and the product.
