Neil Druckmann Quotes
I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.
Quotes to Explore
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It is always great to see technology leaders like Ginni Rometty, Marissa Mayer, and Meg Whitman breaking through as a new generation of leaders.
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The advantage doesn't come because you can run more than someone over 90 minutes. The advantage comes when, in the tenth minute, I'm sprinting back and making another guy chase me. By the end of the game, that guy's worn down, but I can still keep going at the same pace.
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The video game culture was an important thing to keep alive in the film because we're in a new era right now. The idea that kids can play video games like Grand Theft Auto or any video game is amazing. The video games are one step before a whole other virtual universe.
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Every story I create, creates me. I write to create myself.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I think the tennis is only a game. You can lose. You can win. After that? In life, there are much more important things than tennis.
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The game of life is a game of boomerangs. Our thoughts, deeds and words return to us sooner or later with astounding accuracy.
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I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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Mythology and science both extend the scope of human beings. Like science and technology, mythology, as we shall see, is not about opting out of this world, but about enabling us to live more intensely within it.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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But it is a black man's game, and it will be forever.
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I don't know what my label is. I just think of myself as a plain forward. I like to think I have some finesse to my game, but inside the paint is where men are made. If you can't play there, you should be home with your mama.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
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We need to question technology to insure that markets continue to perform their fundamental purposes.
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I don't read for plot, a story 'about' this or that. There must be some kind of philosophical depth rendered into the language, something happening.
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There are so many fans and so many people who care deeply about this game, and it is because of these fans that we are who we are as cricketers.
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As we continue advancing and leveraging GIS and as we keep bringing in new generations of technology as well as new generations of people, my sense is we're going to achieve extraordinary things.
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While some debate its helpfulness at generating monetizable traffic, when Digg points to a story, huge audience spikes quickly follow.
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There are not many things in my life I can be absolutely proud of or certain I got right, but one of them is that I've got better as an actor. I've learnt how to do it. And I still have enough energy to do it.
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I always think I should try to get to bed early, but then I can't stop myself from watching telly and fiddling around on the net.
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Yoga is the one L.A. thing I actually like.
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The worst part of success is to try finding someone who is happy for you.
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I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.
