Ira Glass Quotes
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I hate dream sequences in movies and T.V. shows generally for their heavy-handed symbolism and storytelling tediousness.
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I remember that in Baltimore, where I grew up, we would drive by the radio station and tower of WBAL, and I would try to picture the people inside and what they did there.
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I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
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The atheist market is a very overlooked and powerful market, it turns out.
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I think people who live in New York don't realize just how much time they spend talking about the subway.
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The Flash could do everything twice as fast. Except you never saw him think twice as fast or speak twice as fast. Could he do math faster than the other superheroes? Could he compute the tip for the bill twice as fast?
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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I'm not a natural storyteller at all. If anything, I'm a natural interviewer, a natural listener, but I'm not a natural storyteller.
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We're Jews, my family, and Jews break down into two distinct subcultures: book Jews and money Jews. We were money Jews.
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When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory.
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I like excess. And giant M&M's.
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The TiVo is really an amazing machine. Like everyone who has one, I totally recommend it. Just as everyone who's married will tell you to get married, and everyone who has a baby tells you to have a baby, everyone who owns a TiVo will tell you to get a TiVo, and they'll say things like 'Your life will be completely different.' It's true.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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There is a feeling, when you listen to radio, that it's one person, and they're talking to you, and you really feel their presence as one person.
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I liked the people at Brown, while I really disliked most of the fellow students I had met at Northwestern.
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Starting in the 1970s, American cars started to lose market share to foreign cars. It was clear what was happening - these better-made foreign car companies were encroaching on the U.S., and the U.S. car makers had less than half of their own country's market.
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I don't meet many people who are talking about shows on Showtime.
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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If you date one woman a year, times 10 years, and that's 10 women.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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A lot of broadcasting, I think, is doing a tremendous amount of preparation and trying to act like, 'Oh, this thought is just occurring to me right now' - and speaking sincerely.
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In general in New York, we all eat like kings. Insane quality, mind-blowing variety, at all price ranges.
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I have a pit bull. He's a rescue. He's adorable.