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I never realized before this the emotional power of some really simple, corny tropes: people with top hats, people with batons, confetti going off, how important it is to smile.
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I read the newspaper, but I live in my own little bubble.
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Writing is just very difficult. I'm an adequate performer. And I think I have a special talent as an editor. Editing is what I do best.
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I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
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'Smallville' is like a Domino's pizza. While you're eating, you're thinking, 'This is good, and it reminds me of pizza, but there's not enough flavor in each bite.' That's the feeling you have the entire time with 'Smallville' - that it's just about to be good, but it never is.
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But sadly, one of the problems with being on public radio is that people tend to think you're being sincere all the time.
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I don't read novels, but my semiotics study influenced everything about the way I read and edit and write.
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I've never so appreciated what actors do and how strange it is.
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Generally the aesthetics of broadcast journalism seem to me to be incredibly primitive.
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I can only control what I can control.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
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Like, radio is closer to a Tumblr, or a blog, or Twitter, than it is to television, I think.
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I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
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I don't go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong.
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In most daily journalism, you only fact-check something if it seems a little fishy.
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Honestly, like, I'm a superfan of the 'New York Times,' but I know nothing about how they put it together, and I really don't care.
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I'm just not very funny.
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I eat the same breakfast and lunch every day, both at my desk. I employ no time-saving tricks at all.
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I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'
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I'm in production year round. I work long hours. I have a dog and a wife. There's not a lot of available time for consuming any culture: T.V., movies, books. When I read, it's generally magazines, newspapers and web sites.
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I've actually done events at radio stations where I feel like I've had to give a little talk in behalf of television as a medium.
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I don't tweet because I don't need another creative venue. I don't need another form for self-expression. I don't need another way to get my thoughts out to people. I have one. I'm good.
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I feel like dance, by its nature, goes so easily to grand and beautiful.
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I feel like, in general in my work life, my main goal has been to just be in a situation where I'm not bored with my job. That's been the entire principle. Got my wish.