Ira Glass Quotes
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Honestly, like, I'm a superfan of the 'New York Times,' but I know nothing about how they put it together, and I really don't care.
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You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out.
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I'm a reporter – if I don't interview someone, I don't have much to say, and I definitely can't just sit down and knock out 800 words on any subject you give me.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
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When I say something untrue on the air, I mean for it to be transparently untrue. I assume people know when I'm just saying something for effect. Or to be funny.
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You'd think that radio was around long enough that someone would have coined a word for staring into space.
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I'm in production year round. I work long hours. I have a dog and a wife. There's not a lot of available time for consuming any culture: T.V., movies, books. When I read, it's generally magazines, newspapers and web sites.
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Generally the aesthetics of broadcast journalism seem to me to be incredibly primitive.
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I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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I didn't have any particular talent for fiction. I took a class in college.
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At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
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Radio is for driving.
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I've read the poker books, but at this point, everybody who's playing has read the poker books. I feel like I'm knowledgeable enough to understand what's going on in the game, and I understand why I suck. And I'm not sure if I'll ever rise beyond that to the level where I don't suck.
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In radio, you have two tools. Sound and silence.
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When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
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I feel like dance, by its nature, goes so easily to grand and beautiful.
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I think stories get better the more people try to amuse themselves.
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I feel like, in general in my work life, my main goal has been to just be in a situation where I'm not bored with my job. That's been the entire principle. Got my wish.
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Any story that I can consider worth telling is one that you could tell in words.
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I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
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Like most people in radio - and in magic - I'm not cool. I know people who are hip, and I can feel distance between them and me.
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I'm a cliche.
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Traditional broadcast media seems old-fashioned and vague to me. When I watch television news, I'm aware of what skilled journalists they are, but I find it hard because of the corny way they present it.
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I have been shocked at the number of people who don't watch television.