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I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
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I don't tweet because I don't need another creative venue. I don't need another form for self-expression. I don't need another way to get my thoughts out to people. I have one. I'm good.
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I'm in production year round. I work long hours. I have a dog and a wife. There's not a lot of available time for consuming any culture: T.V., movies, books. When I read, it's generally magazines, newspapers and web sites.
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When I say something untrue on the air, I mean for it to be transparently untrue. I assume people know when I'm just saying something for effect. Or to be funny.
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I'm a cliche.
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You'd think that radio was around long enough that someone would have coined a word for staring into space.
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I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.
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When you're working in public radio, you don't have any money to advertise.
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For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.
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I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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Radio is more powerful the closer we mimic the way we actually speak to each other. That's why Howard Stern is such a great radio talent. People on his show are actually speaking to each other. You might not like what they're saying, but they're real conversations.
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When you're learning, especially to write, unless you're some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves.
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I have been shocked at the number of people who don't watch television.
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It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.
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I am mostly a pretty worried person. In conversations, I am always worried about what to say.
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I'm a big Penn & Teller fan. But I myself was never very good; I was a teenage magician who performed at kids' parties. I can still perform a vanish, credibly, and I still, in special circumstances, will make a balloon animal.
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At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
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Radio is for driving.
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I don't take care of my voice at all, which is one reason that I sound as bad as I do.
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You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out.
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One reason I do the live shows - and the monthly speeches at public radio stations - is to remind myself that people hear the show, that it has an audience, that it exists in the world. It's so easy to forget that.
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In radio, you have two tools. Sound and silence.
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I feel like in an interview situation, it's a kind of intimacy that I can understand and handle - versus in real life, when I'm much more of a bumbler and have a hard time.
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The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.