Travis Barker Quotes
Quotes to Explore
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It's not a monster movie. It's a supernatural thriller.
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I used to be the best comic actor in my batch. Everyone knew that my comic timing was impeccable.
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There is no compromise when it comes to corruption. You have to fight it.
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The first thing to do in life is to do with purpose what one purposes to do.
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Many people who I respected were disappointed when I started 'Wine Library TV.' They thought I was dumbing down wine, but I always knew I was one of the biggest producers of new wine drinkers in the world, and people are realizing it now.
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When I see a movie with someone it's kind of uncomfortable.
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I've never had a MySpace or a Facebook page. I avoid that entirely.
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Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.
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Disease and ill health are caused largely by damage at the molecular and cellular level, yet today's surgical tools are too large to deal with that kind of problem.
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If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.
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If you don't know much about the field, you're able to ask a set of questions that an expert would never ask, and that allows you a very different thought process and a fresh approach.
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My first big influences were more hip-hop based - people like DJ Shadow and Four Tet.
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Women's propensity to share confidences is universal. We confirm our reality by sharing.
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I love the smell of Burger King when I ride past, but sometimes I have to avoid it.
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I'm a strong fighter, I'm a fighter who can adapt to my surroundings.
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The first thing they gave me at 'Sports Illustrated' was a first-class air card. 'And oh, by the way, there's the petty cash drawer,' they told me. 'Take a few thousand dollars for expenses.'
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Even the 'Negro' shows like 'Amos and Andy' and 'Beulah' are written largely by white writers - the better to preserve the stereotypes, I imagine.
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There's a lot of potential that goes unused in places like South Central L.A., a lot of brilliant, smart people who just don't have that chance to show it.
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Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.
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Creating things sometimes is difficult.
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You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
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The only thing to worry about is the damage that can be done by worrying. Why are some scientists worried? Perhaps because they feel that to stop worrying may mean to stop being paid.
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We never worry about the big things, just the small things.
