Treat Williams Quotes
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
Quotes to Explore
-
I have a sewing machine that I adore, and I spend a lot of time sitting in front of it when I'm not working. And any excuse to paint or draw or do something artistic with my hands really gets me going. Definitely aspiring.
-
I was doing community theater since I was about nine.
-
When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
-
The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
-
Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
-
As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
-
After doing a juice cleanse, I'm motivated to eat healthier and not emotionally. Cleansing is like my meditation. It makes me stop, focus and think about what I'm putting into my body. I'm making a commitment to my health and hitting the reset button.
-
I don't think about who the audience is for my books.
-
My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
-
You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
-
I've made a lifetime commitment to the union movement and to public education.
-
You have to know one big thing and stick with it. The leaders who had one very big idea and one very big commitment. This permitted them to create something. Those are the ones who leave a legacy.
-
The audience has always been my best director.
-
Some actors get fired up by the sound of the audience. I just want to retreat.
-
I have this whole new audience now.
-
I do not shake hands from a sanitary standpoint.
-
The power to shape Oregon's future remains where it has always been - in our collective hands.
-
I love doing theater. That's where my home is.
-
I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
-
The well-mannered man never puts out his hand in greeting until a lady extends hers. This is a test of good breeding that is constantly applied. ... The first move in the direction of cordiality must come from the lady, the whole code of behaviour being based on the assumption that she is the social superior.
-
It's nice to be in a place where I can be a little more selective, and to be sought out for ideas that I have.
-
When you're a carpenter making a beautiful chest of drawers, you're not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You'll know it's there, so you're going to use a beautiful piece of wood on the back.
-
How many seconds separate Jake or any of us from those burdens of fate? Three? Five? At some point in our lives, the cut may have been that fine. Who can say, and perhaps it is not worth pondering. But we do, don't we? We gnaw on that bone of possibility until our teeth are dull and our skulls throb. There are other life-lines than the one we landed on, and we can taste it.
-
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
