Lady Gaga (Stefani Joanne Angelina Germanotta) Quotes
Quotes to Explore
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The want of money is the root of all evil.
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In reality, throughout your career, you have to make yourself interesting enough for people to be waiting to see your films. In my case, people are longing to see what I come out with next. That's my success.
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In China, a lot of the opening up of private entrepreneurship is happening because women are starting businesses, small businesses, faster than men.
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Only when you are aware of the uniqueness of everyone's individual body will you begin to have a sense of your own self-worth.
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We can build the fence. We can triple the border patrol. We can end sanctuary cities by cutting off funding to them. We can end welfare for those here illegally.
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I love wrestling, but to wrestle just one style for the rest of my life seems like it would really hold me down creatively.
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I don't want to give people the impression that I'm an almost perfect human being.
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I think men, growing up, you have to go through some form of hardship. You've got to harden the metal.
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My parents were very supportive of me and my artistic endeavours. My father and mother came to every school play I ever did.
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It may not always be easy, convenient, or politically correct to stand for truth and right, but it is the right thing to do. Always.
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A damn independent boy; independent as a hog on ice.
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An idealist is one who, on noticing that roses smell better than a cabbage, concludes that it will also make better soup.
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Even if you buy a Finnish, Korean or American phone - it will be Ericsson on the inside.
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I would never go to a gym. How could I do it? So I tried to do it in my house and it doesn't work.
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All of us grow.
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In the United Kingdom, we need to promote an inclusive British identity that involves and empowers people from all ethnic and faith backgrounds.
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When I did 'Hot Fuzz,' I tried to get Barbara Steele in the movie, but I was told she had retired.
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A noble soul and real poetic talent are almost always inseparable.
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When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn't really part of it.
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English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
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Like children all over the world, by the age of 10 I'd come to believe that most of the really humane creatures were not really human at all.
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It would appear that love is dead. Or very likely in a bad way.
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It appears then, that capitalist production comprises conditions independent of good or bad will, conditions which permit the working-class to enjoy that relative prosperity only momentarily, and at that always only as the harbinger of a coming crisis.
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I'm drawn to bad romances.
