Gaspard Ulliel Quotes
Well, I think it can be quite helpful to be working on a character who actually existed, historically. Of course, you might have material to study and help you create the character.
Quotes to Explore
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Whenever I go to a new city, whether visiting or vacationing, I would always make that a point to get to the record store early on, just to get my bearings and see what was going on around town.
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Under-representation of women and other inequality among researchers is a problem that will not solve itself as women acquire competence.
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I have learned to be patient.
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I don't see myself as ever being like anybody else.
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Mel will always be Mad Max, and me, I will always be a Number.
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I've had five weddings but if I'm really honest and if I count significant de factos... I've had nine husbands... which sounds appalling but when you consider I started at 18 and I'm 65 it's not so bad.
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In 1995, the Chinese government picked a 6-year-old child to succeed the Panchen Lama, the second highest figure in Tibetan Buddhism.
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Well, I was a big fan of the book and therein a huge fan of the girl Precious. And so I felt like I knew this girl. I felt like I'd grown up alongside her. I felt like she was in my family. She was my friend and she was like people I didn't want to be friends with.
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We don't need bigger government. We need to shrink the size of government.
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The witty woman is a tragic figure in American life. Wit destroys eroticism and eroticism destroys wit, so women must choose between taking lovers and taking no prisoners.
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I'd read books in Russian, and they would take me forever. I wanted to write a book that would last and would not be superficial. Siberian-travel writing is its own genre.
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A pitcher will never be a big winner until he hates hitters.
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Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
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I may have more than one friend with benefits. It's very healthy for the heart. I think no matter how old you are - and I am pretty up there in terms of numbers - I think you should do whatever makes you happy.
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I'm not afraid of special effects, but I see them very much as a means to an end.
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One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.
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'Crash' is a movie about the racial tension that still exists in America. A lot of us pretend that we don't have preconceived notions and stereotypical ideals about each other, but we do. And we wanted to create a movie about people whose lives crash into each others' accidentally.
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Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.
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The mass-market paperback, for one, is too expensive.
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Baltimore was never intended to be anything other than this original novel that Chris Golden and I did together. There was never any thought of this thing going on and becoming a series. If there's any common thing between these characters, it's that they weren't anything I was seeing in comics. Almost everything I've done is something I wish somebody else was doing, because it's what I'd like to read.
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I'm very grateful to have had many brilliant students and post-docs who have worked with me. Potential is often hard to spot, but a key factor is whether they express a genuine interest in the problem and how they have thought about it.
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I just believe in collaboration. I mean, I've written songs on my own, you know, but I think if the artist has something to bring to the table - someone like Pink, for instance - where they have something to say, it makes your job easier and more special.
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Well, I think it can be quite helpful to be working on a character who actually existed, historically. Of course, you might have material to study and help you create the character.
