Laura Dern Quotes
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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Growth doesn't hurt. This is what I've learned. In the end, it doesn't hurt. It hurts while it's happening. But in the end, you know, for life, for parenting, and for the arts, it's not a bad - not a bad thing to try for.
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I have a very wonderfully, bizarrely amazing relationship with my mother in that we've been through a myriad of emotions because we've acted together and played all these different kinds of mother-daughters.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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It excites me to go to a movie and be reminded that I'm human, and I'm filled with opposites, and I'm built with flaws. Part of growth and healing is recognizing that.
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I always fall in love with qualities of people I work with.
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We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that.
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My daughter wants to do yoga with me and wants to be in the theater thing, and I can't tell her, 'Don't be an actress.' My son loves guitar and loves to be in a band and wants his iTunes downloaded with all this old-school hip-hop so he understands where hip-hop came from.
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It's a strange world, as David Lynch would say.
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I knew I wanted to become an actor when I was 7 years old. My dad was working with Alfred Hitchcock, my mom was working with Martin Scorsese - and it was the great summer of my childhood.
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Meditation is a practice that is considered mainstream: The NFL uses it, the NBA uses it, heart patients use it. It's very easy to consider yourself a meditator and not be too alternative-minded.
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I knew you had to go in and audition and maybe they'd hire you, and that's where you start. I had a good understanding about press: that it's the actor's responsibility to publicize his or her films.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break.
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There's something so accessible about heroes who have faults.
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Love means a lot to me, and I love loving, and I love boys.
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Like anything else, acting can become boring - a chore, really - if there isn't any challenge. And I like taking challenges. Just when people think they have me figured out, I like to surprise them.
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You don't always get to work as much as you like, because I'm waiting to find things that I care about. Sometimes that's frustrating.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.
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Every role is a new form of surrender.
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There are a lot more female writers wanting to direct their own material and hopefully will be given the opportunity.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.