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For people who feel things in an enormous way, it's pretty hard to live in this world.
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I've seen 3-D movies where it seems a little crude or too in-your-face.
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I love when actors can let go of where and how they have to do it, and just that we do it. That we are flawed and human, and don't worry about how we look or who we are, or that it seems too old of a character if we're still young.
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If we could all figure out a way to just be true to ourselves and have a good time doing what we're doing, it would be a lot more fun.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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Ben Stiller, who I love and who is a friend and is such an incredible actor - he's hilarious, obviously, but I thought his performance in 'Greenberg' was extraordinary.
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It's lovely to be considered pretty and lovely to do photo shoots, and I just love fashion. But I'm proud that I did the characters I wanted to do.
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Growth doesn't hurt. This is what I've learned. In the end, it doesn't hurt. It hurts while it's happening. But in the end, you know, for life, for parenting, and for the arts, it's not a bad - not a bad thing to try for.
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Starting my career as a kid, I was doing what jobs I got.
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A lot of people have asked whether acting is in my genes. I don't know if anyone is born to act. And it certainly wasn't pushed on me. It was something I wanted to do.
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My daughter wants to do yoga with me and wants to be in the theater thing, and I can't tell her, 'Don't be an actress.' My son loves guitar and loves to be in a band and wants his iTunes downloaded with all this old-school hip-hop so he understands where hip-hop came from.
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If you have a movie coming out, and people are talking about you, the amount of scripts will build.
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Stay true to your own voice, and don't worry about needing to be liked or what anybody else thinks. Keep your eyes on your own paper.
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I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
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There are a lot more female writers wanting to direct their own material and hopefully will be given the opportunity.
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I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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You don't always get to work as much as you like, because I'm waiting to find things that I care about. Sometimes that's frustrating.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that.
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I can't say 'I'm proud to say' - because it's not a choice for many Americans - but I can say I'm fortunate enough to not be raising my kids on McDonald's.
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Every role is a new form of surrender.