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I love when actors can let go of where and how they have to do it, and just that we do it. That we are flawed and human, and don't worry about how we look or who we are, or that it seems too old of a character if we're still young.
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If we could all figure out a way to just be true to ourselves and have a good time doing what we're doing, it would be a lot more fun.
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It's lovely to be considered pretty and lovely to do photo shoots, and I just love fashion. But I'm proud that I did the characters I wanted to do.
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Ben Stiller, who I love and who is a friend and is such an incredible actor - he's hilarious, obviously, but I thought his performance in 'Greenberg' was extraordinary.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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Starting my career as a kid, I was doing what jobs I got.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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Stay true to your own voice, and don't worry about needing to be liked or what anybody else thinks. Keep your eyes on your own paper.
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For people who feel things in an enormous way, it's pretty hard to live in this world.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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Like anything else, acting can become boring - a chore, really - if there isn't any challenge. And I like taking challenges. Just when people think they have me figured out, I like to surprise them.
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If you have a movie coming out, and people are talking about you, the amount of scripts will build.
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I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
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I can't say 'I'm proud to say' - because it's not a choice for many Americans - but I can say I'm fortunate enough to not be raising my kids on McDonald's.
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My daughter wants to do yoga with me and wants to be in the theater thing, and I can't tell her, 'Don't be an actress.' My son loves guitar and loves to be in a band and wants his iTunes downloaded with all this old-school hip-hop so he understands where hip-hop came from.
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Growth doesn't hurt. This is what I've learned. In the end, it doesn't hurt. It hurts while it's happening. But in the end, you know, for life, for parenting, and for the arts, it's not a bad - not a bad thing to try for.
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There are a lot more female writers wanting to direct their own material and hopefully will be given the opportunity.
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Every role is a new form of surrender.
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When you become a parent, you really care that you get that right, and you care about nothing else.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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A lot of people have asked whether acting is in my genes. I don't know if anyone is born to act. And it certainly wasn't pushed on me. It was something I wanted to do.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
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To stay true to your art is such a complicated journey, and Dad clearly has done it.