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If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.
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For me, the greatest good fortune I have being raised by actors is I came in knowing that a career is the ebb and flow.
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I don't think you have to be in these serious, heavy, independent little movies to be an actor. Some of the most interesting acting I've seen is on cable television.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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There's something so accessible about heroes who have faults.
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If we could all figure out a way to just be true to ourselves and have a good time doing what we're doing, it would be a lot more fun.
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Ben Stiller, who I love and who is a friend and is such an incredible actor - he's hilarious, obviously, but I thought his performance in 'Greenberg' was extraordinary.
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Sadly, half of marriages end in divorce. Half of my girl friends and male friends have been through one, and their kids are doing great. There's no shame around it - unless you want to project that on to yourself - but certainly there's no longer cultural shame. Everyone is walking through it.
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The really courageous and bold thing is to make movies about human behaviour.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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I feel so lucky to have a mom who is not only an extraordinary actor but someone who is game enough to not worry about our relationship versus what we play in movies or television.
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Stay true to your own voice, and don't worry about needing to be liked or what anybody else thinks. Keep your eyes on your own paper.
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What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?
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Sometimes my family got me in the door. Somebody would say, 'Bruce Dern's daughter - sure I'd like to meet her.' It was a point of interest. But after five minutes of talking about my father, I still had to read for the part.
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Love means a lot to me, and I love loving, and I love boys.
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I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
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Every role is a new form of surrender.
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When you become a parent, you really care that you get that right, and you care about nothing else.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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Like anything else, acting can become boring - a chore, really - if there isn't any challenge. And I like taking challenges. Just when people think they have me figured out, I like to surprise them.
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A lot of people have asked whether acting is in my genes. I don't know if anyone is born to act. And it certainly wasn't pushed on me. It was something I wanted to do.