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The really courageous and bold thing is to make movies about human behaviour.
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It's lovely to be considered pretty and lovely to do photo shoots, and I just love fashion. But I'm proud that I did the characters I wanted to do.
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If we could all figure out a way to just be true to ourselves and have a good time doing what we're doing, it would be a lot more fun.
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Ben Stiller, who I love and who is a friend and is such an incredible actor - he's hilarious, obviously, but I thought his performance in 'Greenberg' was extraordinary.
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Starting my career as a kid, I was doing what jobs I got.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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For people who feel things in an enormous way, it's pretty hard to live in this world.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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Stay true to your own voice, and don't worry about needing to be liked or what anybody else thinks. Keep your eyes on your own paper.
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I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
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I can't say 'I'm proud to say' - because it's not a choice for many Americans - but I can say I'm fortunate enough to not be raising my kids on McDonald's.
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Like anything else, acting can become boring - a chore, really - if there isn't any challenge. And I like taking challenges. Just when people think they have me figured out, I like to surprise them.
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If you have a movie coming out, and people are talking about you, the amount of scripts will build.
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There are a lot more female writers wanting to direct their own material and hopefully will be given the opportunity.
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My daughter wants to do yoga with me and wants to be in the theater thing, and I can't tell her, 'Don't be an actress.' My son loves guitar and loves to be in a band and wants his iTunes downloaded with all this old-school hip-hop so he understands where hip-hop came from.
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Every role is a new form of surrender.
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Growth doesn't hurt. This is what I've learned. In the end, it doesn't hurt. It hurts while it's happening. But in the end, you know, for life, for parenting, and for the arts, it's not a bad - not a bad thing to try for.
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A lot of people have asked whether acting is in my genes. I don't know if anyone is born to act. And it certainly wasn't pushed on me. It was something I wanted to do.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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When you become a parent, you really care that you get that right, and you care about nothing else.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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There's something so accessible about heroes who have faults.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.