Anna Nalick Quotes
Quotes to Explore
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The essence of the beautiful is unity in variety.
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Swim upstream. Go the other way. Ignore the conventional wisdom.
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In the process of evolution, the body lasts for some time and then will take other body and take other body and take other body until the final redemption from diversity is transcended.
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Fashion breaks my heart.
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Life isn't about quantity, it's about quality.
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You want a career? Do that first. You don't want to have kids? Then don't. You don't want to get married? Then don't. But once you do something, you've got to know that there is compromise.
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When you're with your club team, every week you have a performance to judge. But when you're with the national team, it's a little different because you might not play for three or four months at a time. Things change constantly.
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I'm not the girl next door.
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People are really upside down. They want a government they can trust. They want one that's not going to raise their taxes by $15 billion and not lay off one state employee.
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Gran Metalik was a student in CMLL when I was there as a teenager, and I was in main events and big time matches, so I used to see him in the gym all the time.
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When it comes to cooking pasta, the first essential is to make sure you have a big enough pot: it needs room to roll in the water while cooking.
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Voting for Romney after the train wreck of that was the eight years of W. Bush is like losing your pay check playing a rigged game of three-card monte and then playing the same game again a week later 'cause the cards are a different color.
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We were like a stock company at Warners. We didn't know any of the stars from the other studios.
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Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.
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I'm into Gucci a lot, like vintage '70s everything. I'm into Versace.
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I sang the songs in 'The Doors'.
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I want to do as little as possible when I finish playing ball - just spend a lot more time with my family.
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I don't think we spend enough time in reflection and introspection. We don't know who we are as individuals in this culture anymore.
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There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.
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I've learned that you can call it a band, but unless everyone is contributing, it's not, really. It's pretending that it's a band.
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I work at home but average 15,000 to 18,000 miles per year on my Honda.
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Your voice is important - it gives away everything about you. The mouth is a muscle you have to work like you'd work at the gym.
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My first school play was 'Perkin and the Pastry Cook' that my primary school put on, and I played a boy, and it was so much fun, and I'd love to play a boy again. I think that would be great.
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But, my God, it's so beautiful when the boy smiles.
