Anna Paskevska Quotes
Ballet is ultimately a logical technique; it favors the shortest, most efficient route from one position into another. This factor gives an aesthetic clarity to all motions.
Quotes to Explore
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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Stillness as a technique is still really captivating to me.
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I started taking ballet lessons when I was three and a half and I still take dance classes.
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There's nothing like the force and challenge of a new ballet to galvanize everyone involved in bringing it to life.
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I did community theater in Georgia and called myself a ballet dancer.
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I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.
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I was the oldest of the children in my family. I had to do a lot of diaper-changing and lunch-making. I was taking my little sister to ballet, picking up my brother, sort of being a super-nanny.
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It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.
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I started dancing when I was five, and I trained intensively as a competitive dancer up until the end of high school. I did all genres, and later on a did a lot of extra ballet on top of that. I actually got accepted to Julliard for dance during my senior year, but I ultimately turned it down to come to L.A. to act.
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I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
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I just don't do much social media. No, it is more important to strike a balance between ballet and real life.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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I came to New York to study ballet and English.
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I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years.
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I grew up listening to hipster jazz and classical records... we went and watched ballet and orchestras - lots of cool stuff. Which I'm really grateful for - it's pretty nice being introduced to that when you're little.
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Acting is a sense of wonder and magic and mystery for me and when life takes me on a new journey, I simply remember the smile my first ballet recital put on my face and I move forward.
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I was raised with a lot of classical music. I loved ballet. I was a bun head for 10 years.
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Up until I was about 12, I was a ballet dancer and a basketball player.
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Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
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I wonder what Tommy Morris would have had to say to all this number 6-iron, number 12-iron, number 28-iron stuff. He probably wouldn't have said anything, just made one of those strange Scottish noises at the back of his throat like someone gargling.
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I find the organic wave much more interesting in America than in France.
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I think it's crazy for us to play games with our children's future. We know what's happening to the climate, we have a highly predictable set of consequences if we continue to pour greenhouse gases into the atmosphere.
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Ballet is ultimately a logical technique; it favors the shortest, most efficient route from one position into another. This factor gives an aesthetic clarity to all motions.
