Anna Paskevska Quotes
Ballet is ultimately a logical technique; it favors the shortest, most efficient route from one position into another. This factor gives an aesthetic clarity to all motions.
Quotes to Explore
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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Stillness as a technique is still really captivating to me.
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I started taking ballet lessons when I was three and a half and I still take dance classes.
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There's nothing like the force and challenge of a new ballet to galvanize everyone involved in bringing it to life.
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I did community theater in Georgia and called myself a ballet dancer.
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I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.
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I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
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I was the oldest of the children in my family. I had to do a lot of diaper-changing and lunch-making. I was taking my little sister to ballet, picking up my brother, sort of being a super-nanny.
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It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.
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I started dancing when I was five, and I trained intensively as a competitive dancer up until the end of high school. I did all genres, and later on a did a lot of extra ballet on top of that. I actually got accepted to Julliard for dance during my senior year, but I ultimately turned it down to come to L.A. to act.
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I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
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I just don't do much social media. No, it is more important to strike a balance between ballet and real life.
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Ballet is the fairies' baseball.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
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My mum took me to the ballet at three, and that was the only time I sat still, with jaw open, mesmerised. She brought me home, and I wouldn't stop dancing.
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I came to New York to study ballet and English.
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I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years.
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When you really get technique... there is no strength that will stop you.
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Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
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No good poetry is ever written in a manner twenty years old, for to write in such a manner shows conclusively that the writer thinks from books, convention and cliché, not from real life.
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I was very active but I was dyslexic and had a really hard time at school.
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I think it'd be a real nightmare to put a record out and sell 20 million copies and then that's it.
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Ballet is ultimately a logical technique; it favors the shortest, most efficient route from one position into another. This factor gives an aesthetic clarity to all motions.
