Natalie Zea Quotes
The fact is that viewers are fickle and it's rare that such a large group of people can be categorized in any type of way. There's enough content to go around, and if we stop focusing on numbers and start focusing on the quality of the project, then I think everybody - viewers and artists alike - is going to be a lot happier.
Quotes to Explore
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I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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It's a fact that kids watch TV. But if you think back, when you watched cowboy movies, you would go out and play cowboys. TV and movies motivate people.
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Writing is an exploration. You start from nothing and learn as you go.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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I know there is something out there and like most people, I tend to believe in it more when things go bad.
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We should be open to a discussion on keeping guns out of the hands of the mentally ill. I don't know how that manifests itself, but I'm looking to get elected president of the United States. I just want to let people know I have an open mind about how we might - how government might - interject itself in a lot of the problems we have.
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Some people think that religion is not essential to society. I do not hold this view. I consider the foundation of religion to be essential to the life and practices of a society.
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Our teachers are operating just as effective leaders in the business world do. They set a vision that most people think is crazy. They convince the kids why it's important to accomplish the goal. And they are totally relentless.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I'm not going to change the world overnight. It's one person at a time, and hopefully they're people in positions of power who can help people get in those roles and really, truly embrace colorblind casting.
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I know how to fake someone out, if they break into my house, into thinking there are other people there.
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I would love a bowl of Frosties, but I start the day with something healthier like a bowl of yoghurt or berries.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Individually, people are finding that a simpler lifestyle provides greater satisfaction than relentless pursuit of materialism.
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I want to work with different people, and I would like to work in different places.
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My stand-up is quite good now, people say. It's just like a big conversation each time. Every gig is a rehearsal.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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But when you get a bit older, and I hate to use the word, quite a bit more established, people take more notice and conducting becomes a great deal easier. You don't have battles like you had before.
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I tell everybody, 'If you want to get to know me, if you listen to those three records, you'll have a really good idea.' They were released at different time periods in my life, and those are the things I was going through.
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A ramshackle old empire.
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I love having the opportunity to explore a part for a great length of time, really get deeper and deeper into it, because you only have a chance to do that once or twice in a career.
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When I was sent to public school, I was relieved that I could wear what I wanted to wear.
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The fact is that viewers are fickle and it's rare that such a large group of people can be categorized in any type of way. There's enough content to go around, and if we stop focusing on numbers and start focusing on the quality of the project, then I think everybody - viewers and artists alike - is going to be a lot happier.
