H. R. Giger Quotes
Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.
Quotes to Explore
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Kids are always going to be around people who break world records and that. It's how you deal with that. I never let it get in the way of my race, but I am always more than happy after the race to sign autographs and have photos.
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I went online with winelibrary.com in July of 1997; that was my first professional online play.
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Young people do not watch television; they are on the Internet.
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Depression is something that doesn't just go away. It's just... there and you deal with it. It's like... malaria or something. Maybe it won't be cured, but you've got to take the medication you're prescribed, and you stay out of situations that are going to trigger it.
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The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities.
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I love road trips! My husband and I love that. We bought a truck with a bench seat so we could put the dog in the middle.
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Somebody gets to be smart and somebody gets to be dumb. If we win, it'll be because of the president. And if we lose, it'll be because of me.
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I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
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I'm just someone who marvels at God.
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I grew up on Don Knotts and Jerry Lewis and all the guys from Second City.
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Fear is not a friend of mine. But it's something to have a healthy awareness of.
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I have a Rhodesian Ridgeback dog named Lola.
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I do not believe in abortion at will. I do not believe that if a woman just wants to have an abortion she should... I do believe if you have an abortion you are committing murder.
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Within a lot of African-American households, I think, there's an idea that black men don't want to take an active participation in the lives of their children. That if they do, there has to be some sort of ulterior motive.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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I can't figure out how you can hire a coach and tell him how you want him to play.
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I feel like I'm married to what I do, to the streets. And I feel like when the streets are mad, it's serious.
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People just can't wrap their heads around two young black women in a major production.
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Technology is neutral, but it all depends on the way we use it.
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We have to support our local artists. It's just that simple. Otherwise, we will have no art.
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Our enormous surplus revenues are illogical and oppressive.
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I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.
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I don't use the big video screens that a lot of other artists use because personally, I think it's kind of a crutch. I think sometimes it's like watching television as opposed to really getting involved with what is happening onstage and the people in your section.
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Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.
