Ramin Djawadi Quotes
There's been a great development with scale on TV, but my approach is always the same across projects, whether it's a video game, a movie, or a TV show: I always try to set up my sounds and my themes. I really try to stay with the characters and do the storytelling through the music.
Quotes to Explore
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Now I am not against widgets, those small third-party applications that people can put on their Web pages on social networks like Facebook and MySpace, in general.
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There is absolutely no reason in the world of blockchain to build in net settlement. It's like saying you have got a new Ferrari and we are going to put a lawnmower engine in it.
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I did some martial arts training for 'Confessions of a Dangerous Mind,' since the character was an assassin.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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Faith is much better than belief. Belief is when someone else does the thinking.
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There are few women in America that don't want to lose 5 pounds, but I refuse to let that thought dominate my life. And there are too many other real problems in the world - real obesity problems and real hunger problems - to worry that much about a few pounds that I'd like to lose.
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You haven't lost anything when you know were it is. Death can hide but not divide.
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Disease is the tax which the soul pays for the body, as the tenant pays house-rent for the use of the house.
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Deterrence is still fundamentally about influencing an actor's decisions. It is about a solid policy foundation. It is about credible capabilities. It is about what the U.S. and our allies as a whole can bring to bear in both a military and a nonmilitary sense.
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Joe Jackson was a tragic figure. He was a serene country boy who signed a confession he couldn't read. He was illiterate.
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Parents do bear some of the responsibility if they don't talk to their kids, are never around, even deny their kids the love that young girls often crave when they decide to have a baby.
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I'll put my progressive credentials up against anyone's.
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I wore a mullet to the Grammys! I have no fear.
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The trouble with facts is that there are so many of them.
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My earliest memories are being pinned to a fence with a switchblade.
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We are the offspring of approval-seekers. We want approval so badly that we vacillate between conforming to get it and standing out (being outstanding) to get it.
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Oh, it was gorgeosity and yumyumyum. When it came to the Scherzo I could viddy myself very clear running and running on like very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva. And there was the slow movement and the lovely last singing movement still to come. I was cured all right.
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There was a revolution going on at home. Why didn't I earn some money? Why didn't I do something practical, like chicken farming?
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Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.
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The great mystery is why robots come off so well in science-fiction films when the human characters are often so astoundingly wooden.
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What it made me realize was that a show like this makes people look inside themselves. Because this crew guy isn't sitting there wishing the character would fight back. He's hoping that he would fight back.
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I'm one of the writers that would die if I didn't say what I needed to say. For me, it's a matter of survival to write.
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There's been a great development with scale on TV, but my approach is always the same across projects, whether it's a video game, a movie, or a TV show: I always try to set up my sounds and my themes. I really try to stay with the characters and do the storytelling through the music.
