Rana Daggubati Quotes
Quotes to Explore
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I was raised in Argentina until I was 11 and now I go back there a lot, at least twice a year. It's a country where I feel very comfortable and it represents an important period in my life.
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I have to be realistic about what I can and can't do. So whatever I do has to really be worth it. I like to master the things I do.
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It may be a cold, clammy thing to say, but those that treat friendship the same as any other selfishness seem to get the most out of it.
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I'm going for something very raw and organic.
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The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
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Every teenager and everybody around the ages from 10 to 18 has to go through finding out who they are.
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I normally listen to Spanish music - well, Latin music. I like a lot of singers.
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I knew Jimmy Dean. He tested for 'Battle Cry'. Paul Newman tested for 'Battle Cry'. I did nine tests to finally get that role.
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I was a huge fan of video games; I wanted to write something, and I saw the tools at my fingertips to upload a video to my audience, and that's why I'm here today. I think that freedom and the lack of gatekeepers, combined with people's passion, is what really the true spirit of Internet geekdom is about.
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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There are a lot of people who know me who can't understand for the life of them why I would got to work on something as unserious as baseball. If they only knew.
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I myself am mixed race - my mother is Korean, and my father is an American Jew - so I've always felt other.
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I love boliche, roasted pig, and black beans and rice. When I need a quick fix, I head to Cafe Cortadito on Avenue B and 3rd here in New York City.
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I've worked so hard for so long, and everyone's reaction has made me feel like... almost like they trust me, which is just a wonderful feeling. It pushes me to write things better and better.
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I'd visit the near future, close enough that someone might want to talk to Larry Niven and can figure out the language; distant enough to get me decent medical techniques and a ticket to the Moon.
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I surrender to my directors. I do that because I respect them immensely. In fact, a director's talent scares me. I admit that they're more intelligent than me, and I submit to that, as an assistant director does. Even when I have suggestions to make, I don't state them strongly.
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At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past.
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National defense through war always involves some degree of national defeat. This paradox has been with us from the very beginning of our republic. Militarization in defense of freedom reduces the freedom of the defenders. There is a fundamental inconsistency between war and freedom.
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I'm so sorry for loving you, I'm so sorry.... But it was such a wonderful dream, my love, such a wonderful dream.
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Once in a while I'll drink a rum-and-Coke but that's all, and only once in a while.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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I never was interested in politics. I'm quite unable to work up any kind of belligerent feeling. Just as I'm about to feel belligerent about some country I meet a decent sort of chap. We go out together and lose any fighting thoughts or feelings.
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My father is someone who asks doubts, thereby triggering new thoughts.
