Rem Koolhaas (Remment Lucas Koolhaas) Quotes
All important architecture of the last century was strongly influenced by political systems. Look at the Soviet system, with its constructivism and Stalinism, Weimer with its Modern style, Mussolini and, of course, the Nazis and Albert Speer's colossal structures. Today's architecture is subservient to the market and its terms. The market has supplanted ideology. Architecture has turned into a spectacle. It has to package itself and no longer has significance as anything but a landmark.

Quotes to Explore
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Let's judge a man on what he's done.
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After 2014, we will support a unified Afghanistan as it takes responsibility for its own future.
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Home to me is the world because my books have been translated into more than 30 languages.
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I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one.
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I only seek in my old age to perfect that which I had not before thoroughly learned in my youth, because my sins were a hindrance to me.
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Looking out at the ocean, it's easy to feel small - and to imagine all your troubles, suddenly insignificant, slipping away. Earth's seven oceans seem vast and impenetrable, but a closer look tells another story.
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After I made my hit in 'Salome,' Universal sent me to New York so I could learn to be a proper movie star.
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There's good and bad in everybody. I wasn't looking for the good, or looking for the bad. This is a man who signed his pact with the devil 20 years ago, and he's learned to live with it. He's tried to protect his family from it.
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When I am angry, I pray God to swing our globe into the fiery sun and prevent the sorrows of the not-yet-born: but when I am content, I want to lie forever in the shade, till I become a shade myself.
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I remember, growing up, if something big - God forbid - happened, the first jokes you heard on the subject came out of Jersey.
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I love scary movies. The Shining and Don't Look Now are two of the best.
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An actor cannot be a censor. I'm there to interpret.
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The federal government spends millions to run the Postal Service. I could lose your mail for half of that.
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I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love.
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I think that I’m a better speechwriter than my speechwriters. I know more about policies on any particular issue than my policy directors. And I’ll tell you right now that I’m gonna think I’m a better political director than my political director.
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When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.
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The one thing that I keep learning over and over again is that I don't know nothing. I mean, that's my life lesson.
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I would probably go so far as to say that I couldn't act before I met Richard Ayoade.
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One day Eugène Boudin said to me, '..appreciate the sea, the light, the blue sky'. I took his advice and together we went on long outings during which I painted constantly from nature. This was how I came to understand nature and learned to love it passionately.
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Once, I lived in an apartment with a skylight in the bathroom. Every winter, it would snow through the skyline, but we got a discount because of it.
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It's a real concern of mine every day. What can we do? How much can we do? How quickly can we address all these important things?
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Train yourself to listen to that small voice that tells us what's important and what's not.
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Except for a handful of banks that just keep a handful of their loans in portfolio, on their balance sheet, every other loan that's originated in the United States - whether from a bank, mortgage company, mortgage broker - is sold into the secondary market.
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All important architecture of the last century was strongly influenced by political systems. Look at the Soviet system, with its constructivism and Stalinism, Weimer with its Modern style, Mussolini and, of course, the Nazis and Albert Speer's colossal structures. Today's architecture is subservient to the market and its terms. The market has supplanted ideology. Architecture has turned into a spectacle. It has to package itself and no longer has significance as anything but a landmark.