Annie Lobert Quotes
Quotes to Explore
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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They didn't accept me theory - not a theory, but just a thought I had about this character. I noticed that this man only exists when the boy comes into the grocery.
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If we cut up beasts simply because they cannot prevent us and because we are backing our own side in the struggle for existence, it is only logical to cut up imbeciles, criminals, enemies, or capitalists for the same reasons.
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Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
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I have great admiration for the way the Americans do business. They drive a hard bargain, but once they do it, they stick to their contracts.
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All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.
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It's important to be able to keep things fresh, no matter what age you are, or how many years you've been in the industry.
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I'm actually not on Twitter.
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We call ourselves a dog's 'master' - but who ever dared to call himself the 'master' of a cat? We own a dog - he is with us as a slave and inferior because we wish him to be. But we entertain a cat - he adorns our hearth as a guest, fellow-lodger, and equal because he wishes to be there.
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Loss of hope rather than loss of life is what decides the issues of war. But helplessness induces hopelessness.
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If you do like what you do, you're cooperating and sharing.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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I think people think of me as this elegant person because they always see me dressed up.
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I normally don't listen to my instincts because I'm so full of doubt.
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When you work with a great director, you realise you are far from being a director.
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I wrote a lot of 'Red Queen' wrapped in a blanket, cramped up while watching the snow come down.
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Like the phoenix, socialism is reborn from every pile of ashes left day in, day out, by burnt-out human dreams and charred hopes.
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I won't hold any illusions of changing the world or any such nonsense. But maybe, just maybe, I'm helping someone else change his or her life a little bit for the better, even if it just means giving someone a magical place in which to hide.
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I think midlife crisis is just a point where people's careers have reached some plateau and they have to reflect on their personal relationships.
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We all agreed that philosophically, it was not OK, and ethically, it wasn't OK. We're going to take the word 'divert' totally out of our vocabulary.
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I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
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I have my own vocabulary. I love linguistics. That surprises people.
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Authorities should not simply [pretend] that nothing is happening.
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People will always let you down, because everyone is human and makes mistakes.
