Beat Streuli Quotes
...I don't see myself as a documentary photographer. I am more drawn to the image itself, rather than to the description of a scene. And, anyway, every image only halfway represents reality, whereas the other half is rather, more or less, fulfilling our imagination.
Quotes to Explore
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In the eyes of many people, giving doesn't count unless it's completely selfless. In reality, though, giving isn't sustainable when it's completely selfless.
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On one side, citizens have great respect for the United States; they have a great feeling of friendship. That is solid. But in the opposition and in the political arena I often find criticism of the closeness of relations with the United States. That is a reality.
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The things shamans deal with are extremely practical. They break down parameters of normal historical reality. Magical passes are just one aspect of that.
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Fantasy is like an idealized reality, and the core of fantasy is the one person can make a difference.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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The Self is self-luminous without darkness and light, and is the reality which is self-manifest. Therefore, one should not think of it as this or as that. The very thought of thinking will end in bondage.
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The American War of Independence is the expulsion of the intrusive elements, alien to the American essence. If American reality is the reinvention of itself, whatever is found in any way irreducible or unassimilable is not American.
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The left and the right live in parallel universes. The right listens to talk radio, the left's on the Internet and they just reinforce one another. They have no sense of reality. I have now one ambition: to retire before it becomes essential to tweet.
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The image I had was that Oprah books were fluffy.
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Television is kind of a disappointment. I often want to watch it, but I find it quite hard - I don't like soaps, reality TV or celebrity chefs.
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Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting.
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The attempt to live by the reality of our own nature, which means our limits as well as our potentials, is a profoundly moral regimen.
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'What, concretely, is Enlightenment?' 'Seeing Reality as it is,' said the Master. 'Doesn't everyone see Reality as it is?' 'Oh, no! Most people see it as they believe it is.' 'What's the difference?' 'The difference between thinking you are drowning in a stormy sea and knowing you cannot drown because there isn't any water in sight for miles around.'
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In reality the workings of your governing system are opaque and covert, while hiding in the chattering spotlight of an ostensible transparency, even though the ultimate objective is clear.
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We don't need any more reality TV, women yelling at each other. I can't watch that stuff.
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War is the ultimate reality-based horror show.
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Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique.
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That's one thing about Hollywood. People don't always want what's real. People always want a little more. So for me, it's a compromise. Here you go, that hyper-reality.
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You move totally away from reality when you believe that there is a legitimate reason to suffer.
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I had to pinch myself a couple of times that I was actually on stage at the Atlantic with Carol Kane.
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During that space walk there will be some repositioning of the power so that the arm can be fully controlled by the robotic station that is in the Lab.
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Every woman has had the guy she's broken up with park across the street and stare at her door. Every guy has had someone call at two in the morning and hang up. Or you've been the person who has done those things.
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...I don't see myself as a documentary photographer. I am more drawn to the image itself, rather than to the description of a scene. And, anyway, every image only halfway represents reality, whereas the other half is rather, more or less, fulfilling our imagination.
