Jeremy McKinnon Quotes
Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I do not have the angst and the anxiety of my youth. I've gotten to a place where I'm very comfortable with who I am.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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I did an 'Our Town' in San Diego in the seventies with amateurs that I can tear up just thinking about.
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Do not consider it proof just because it is written in books, for a liar who will deceive with his tongue will not hesitate to do the same with his pen.
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With the mega – fame came the mega – downfall – you know, with the press and everything – and at a young age, it was very stressful to me.
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We live in a time where government is not a leadership thing, it's more a business that's out there and running riot, so I guess the people have to go out there and say stuff.
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I realized that equipment really had little to do with why I sound like the way I sound.
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Research confirms that great teachers change lives. Students with one highly effective elementary school teacher are more likely to go to college, less likely to become pregnant as teens, and earn tens of thousands more over their lifetimes.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I simply wanted to get through college as quickly as humanly possible. I had no interest in extracurricular activities or anything that required me to be social. I was allergic to people.
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If I were to explore music, I'd want to just focus on that and make that my priority.
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Poor air quality, which can be influenced by a variety of fumes, chemicals and allergens, is arguably the leading cause of triggers for most asthmatics in urban areas.
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I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
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It's a shame when other people's gambling habits change the meaning of paintings or when fluctuations of value start to dictate how people perceive art because it's too expensive to be interesting or moving. That's when I get bummed out.
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I established my bank in 1988.
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Ran out of bullets and still had static, grabbed a pregnant lady and out the automatic. Pointed at her head and said the gun was full of lead, he told the cops, back off or honey here's dead.
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Time has lost all meaning in that nightmare alley of the Western world known as the American mind.
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Architects and painters know precisely what they are about as long as they deal with material phenomena. … But when they come to the aesthetics of their work, when they aim at a particular effect on the mind or on the senses, the rules dissolve into nothing but vague ideas.
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Outta sight, outta mind is what you'll always be.
