Bel Kaufman Quotes
But if there is such a thing as social commitment in literature, I think it must manifest itself in a reader's awareness of the human condition, in the writer's touching some common nerve ending. I think this kind of social commitment, like a lady's slip, should be there but it must not show.
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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You really don't get paid in these independent movies, no matter how many people see them.
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In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497.
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The train's always full of football fans going up to see matches. Oh, they make sure I hear their points of view all right. They all want to have their say about their team, and make their opinions known.
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The great thing about Gospel is that you don't have to have an album every year in order to keep working.
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Taking part in an Olympics on home ground is something you dream about.
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I don't know how I got out of some of the scrapes I was in. But I know that there's some sort of plan.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.
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Doing representations of real people is not my strongpoint as a visual artist, and I know that.
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As I told the students every time I visited a campus, you are the director of your own movie, and if you aren't enjoying what you are doing, change it.
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The two things that can hurt you are if you need money or if you need fame. Those are the things that can be your Achilles heel. But if you don't need money and you don't need fame, then you're free.
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My judges preach against free love openly, practice it secretly.
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If religious people deny paradise to their opponents or to 'non-believers,' atheists would likewise seek to eliminate 'dangerous' believers with their 'childish' ways and their heads in the clouds.
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I grew up in an acting family. I was heavily discouraged from doing it myself when I was young, which is the only responsible route to take with any child, because it's not necessarily the easiest of lives.
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I go out in New York, and I think, boy, you can look at someone and pretty much determine their zip code. Everyone seems to want to conform. I wonder, are they all just button-pressers, on the Internet all day long? I don't know.
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The short English miles are delightful for walking. You are always pleased to find, every now and then, in how short a time you have walked a mile, though, no doubt, a mile is everywhere a mile, I walk but a moderate pace, and can accomplish four English miles in an hour.
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It is the addition of strangeness to beauty that constitutes the romantic character in art.
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Whatever is beautiful is beautiful by necessity.
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Faith reinvigorates the will, enriches the affections, and awakens a sense of creativeness. Active faith knows no fear, and it is a safeguard to me against cynicism and despair.
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The whole point of being alive is to evolve into the complete person you were intended to be.
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What you have to do as a writer is . . . write day in and day out no matter what happens.
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But if there is such a thing as social commitment in literature, I think it must manifest itself in a reader's awareness of the human condition, in the writer's touching some common nerve ending. I think this kind of social commitment, like a lady's slip, should be there but it must not show.
