Bel Kaufman Quotes
But if there is such a thing as social commitment in literature, I think it must manifest itself in a reader's awareness of the human condition, in the writer's touching some common nerve ending. I think this kind of social commitment, like a lady's slip, should be there but it must not show.
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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Help the man-in-the-street make sense of the bewildering.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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You really don't get paid in these independent movies, no matter how many people see them.
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In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497.
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Virtue knows that it is impossible to get on without compromise, and tunes herself, as it were, a trifle sharp to allow for an inevitable fall in playing.
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The train's always full of football fans going up to see matches. Oh, they make sure I hear their points of view all right. They all want to have their say about their team, and make their opinions known.
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The great thing about Gospel is that you don't have to have an album every year in order to keep working.
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I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
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Taking part in an Olympics on home ground is something you dream about.
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I don't know how I got out of some of the scrapes I was in. But I know that there's some sort of plan.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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It is not often that idealism of student days finds adequate opportunity for expression in the later life of manhood.
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I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.
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Doing representations of real people is not my strongpoint as a visual artist, and I know that.
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As I told the students every time I visited a campus, you are the director of your own movie, and if you aren't enjoying what you are doing, change it.
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The two things that can hurt you are if you need money or if you need fame. Those are the things that can be your Achilles heel. But if you don't need money and you don't need fame, then you're free.
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If Shanghai wants to be an international cultural center, they have to do something about that. The reason I left is that I wanted to explore what ballet is all about, and if I had stayed put, that wouldn't have happened.
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I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
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What were once felt to be defects-isolation, institutional simplicity, primitiveness of manners, multiplicity of religions, weaknesses in the authority of the state-could now be seen as virtues, not only by Americans themselves but by enlightened spokesmen of reform, renewal and hope wherever they may be-in London coffeehouses, in Parisian salons, in the courts of German princes.
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The village I come from is the most ruthless, lawless land one can encounter.
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The literature of the inner life is very largely a record of struggle with the inordinate passions of the social self.
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But if there is such a thing as social commitment in literature, I think it must manifest itself in a reader's awareness of the human condition, in the writer's touching some common nerve ending. I think this kind of social commitment, like a lady's slip, should be there but it must not show.
