Bel Kaufman Quotes
Stripped of her calculated clothes and the careful camouflage of her make-up she was tired, unalluring, middle-aged. And that was something she would never admit to herself, for most of the illusion of beauty is the conviction of beauty.
Quotes to Explore
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I don't believe in accidents. There are only encounters in history. There are no accidents.
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Working with Terry Gilliam was magic - I've been watching his films since I was little.
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I don't know what it's like in the U.S. but immigrants in the U.K. do the jobs the citizens won't do.
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If you interact with anyone, ultimately, all people are the same. However they're dressed, when you're in the house with a person, they're going to be a regular human being.
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Nobody can teach what is inside a person; it has to be discovered for oneself and a way must be found to express it.
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I define power as 'control over one's life.' A balanced life is far superior to the male definition of power: earning money someone else spends while he dies sooner.
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I still consider myself a working-class girl and would send my kids to public school.
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My sister was always very motherly, babysitting and stuff.
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Children are apt to live up to what you believe of them.
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I did every job under the sun from bartending to ushering to temping.
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Giving people some kind of control over what they do is important. Human beings don't do their best work under conditions of control.
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An interview has become such a confrontational thing. It makes you very defensive.
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I love rhymes; I love to write a poem about New York and rhyme 'oysters' with 'The Cloisters.' And 'The lady from Knoxville who bought her brassieres by the boxful.' I just feel a sort of small triumph.
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Today is either the beginning of the end, or the end of the beginning. Today we are making history.
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I had a guidance counsellor who made me take an aptitude test, and told me I should be a bricklayer.
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If the U.N. didn't exist, we'd be inventing it right now.
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My dad doesn't hug me enough!
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In the calculus of western interests, there is no suffering, whatever its scale, which cannot be justified. Chechens, Palestinians, Iraqis, Afghans, Pakistanis are of little importance.
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Every character when born is a stereotype.
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Sometimes you usually know the point where to keep your mouth shut.
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And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.
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Stripped of her calculated clothes and the careful camouflage of her make-up she was tired, unalluring, middle-aged. And that was something she would never admit to herself, for most of the illusion of beauty is the conviction of beauty.
