Idina Menzel Quotes
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I used to be someone that needed nine hours of sleep; otherwise, I didn't think I was going to sound good when I sang, and I was very disciplined and anal about my preparation. When you become a parent, there just isn't that time, you know?
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Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.
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I love working with a cast and a group of people every day, which is different than recording because you're usually pretty isolated and alone. They serve as a good balance for each other.
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There are lots of things I'm acquainting myself with now to be a more well-rounded person.
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I will never leave the theater. My heart is there, and I love being on stage 8 times a week.
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That's what I love about songwriting - that you can write something about your own experiences and think it's completely specific to you, and then people can take away a completely different meaning for themselves. I really love that. I think you've been successful at writing a song when it has a larger life than yourself.
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I don't think I ever really knew the right words to 'Hava Nagilah,' which isn't great for a Jewish singer.
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Usually I'm pretty myopic. It's hard for me to multi-task, so to speak. If I'm in a show and I'm creating a character, I'm just completely into that. It's really hard for me to do anything else like write music. I have to sort of shut down different sides of my head and just focus.
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As I get older, I realize all I've done is sing and act and hone those skills.
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For singers, I believe we can sing in a lot of keys. I know I have this big range, but the point is to find a key that emotionally connects people.
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Nerves are good. They keep you alive.
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I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
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I always like to sing barefoot, but when I first started doing these dates with the symphonies, I of course thought I should clean up my act, being a Jewish girl from Long Island with a little bit of a trucker mouth. So I wore a gown and some high heels.
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I always use my husband's cocoa butter stuff. He has amazing skin!
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I don't quite know how to put it into words, but I feel for the audience that I have; I know them.
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The more success you get, you start to be harder on yourself or more afraid of the looking glass. You have to learn to build a thicker skin because people are paying more attention.
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I have a wide spectrum, a wide demographic. I have the young girls, I have the gay community, I have many regular theatergoers. I do feel a tremendous responsibility and pride to be a role model for some of these young people.
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I'm constantly trying to work on the person that I am and work on my shortcomings, and I guess I want people to know that it's ok to be a work in progress, as long as you keep trying to figure it out. But that search and that discovery is what makes life kind of rich, and it's what makes life rich... period.
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I made a good living for a teenager. And I had to learn all different kinds of music - jazz, swing, Motown, pop - and that inspired what kind of music I started to write.
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As an artist, you have to express yourself. I make no excuses for my versatility. I grew up singing classical arias, but I love rock n' roll and jazz standards.
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I would love to play 'Funny Girl' or 'Evita,' but I idolize the women who have played those parts. I don't know if there needs to be another version of those shows.
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For me, 'Rent' was all about coming out of myself, finding out who I was, learning the power I could have as a performer. And 'Wicked' was about harnessing all that strength.
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You can't be the vulnerable, transparent, raw person required to be an artist, and then cover that stuff up and meet the world with some kind of armor on. It just doesn't go.
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For me, 'Rent' was all about coming out of myself, finding out who I was, learning the power I could have as a performer.