Idina Menzel Quotes
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You can't be the vulnerable, transparent, raw person required to be an artist, and then cover that stuff up and meet the world with some kind of armor on. It just doesn't go.
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Barbra Streisand, for one, is one of my idols. I've listened to her since I was a little kid - the first album I ever bought was 'A Star is Born' with Kris Kristofferson.
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With young people, I always say, 'You're not doing anyone any favours by withholding your power.' As women, we do that a lot because we are afraid of being misunderstood or perceived as too strong. But the older I'm getting, the more I realise you have to let that go.
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As much as I appreciate people putting me in the category of these very acrobatic belters, I feel like my strength is my... interpretation and my truthfulness with songs, and I don't want young people to think it's all about the high notes that they have to hit.
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I sing in many different colors and, hopefully, they add up to a great performance that, after you leave the theater, makes you feel like I've really shared something of myself.
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Everybody thinks it's going to be so glamorous, so cool, you're on 'Glee,' you know, a hit show or whatever.
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Growing up I studied classically and did lots of shows in school.
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It's been a dream of mine to run my own summer camp. I went to one as a kid, and I put on productions, and got lots of confidence.
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I've been singing since I was born. It's something I do everywhere I go. In the shower, walking down the street. I don't need any impetus to do it. I just sing.
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I've met so many of my idols, but the one person that has eluded me is Bono. But because he's done 'Spider-Man,' I keep thinking maybe, through a Broadway connection, somehow our paths will eventually merge.
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I feel like I was born to do this... I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
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You get to relive your childhood when you have a baby and you see these toys and these books you read when you were little - the innocence that you are able to maintain because you have to find that again in order to connect with your child keeps you in a special state of mind.
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I think that if you're doing a new musical, you want to have the opportunity to experiment and try things without the whole city of critics looking over your shoulder.
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That experience with 'Rent' went by so fast. I was younger. I didn't even really know what opening night was. And now I'm thinking back on the times I went to Broadway as a kid and the excitement I felt... And I'm realizing that I'm actually a part of that, so I'm learning to take it in, 'cause so often I shrug it away.
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My story is so boring: Long Island Jewish parents take their daughters to Broadway.
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I keep saying, the older I get, the younger my audience gets. Because 'Wicked' and 'Rent' and 'Glee,' each one was a young audience, so it's a great thing to have, so then you know that as they get older and have kids, they'll maybe still buy tickets to my shows when I'm 80 and in Vegas!
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I'd been a wedding singer through college, but after a few years of doing my best renditions of jazz standards to clinking glasses and the sound of forks on salad, I thought, 'Oh God, if this is all I do, I'll never be able to live with myself.'
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My favorite thing of all time is a New York City weekend when there's a blizzard. Everything gets really quiet, and everyone goes to the movies and the park.
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I started singing weddings and bar mitzvahs at 15, lying about my age. It was a great discipline.
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Things happen for a reason, and in their own time.
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Believe me, I don't take that lightly. To have struck gold twice with 'Rent' and 'Wicked.' I know it's rare and I'm very lucky to have that kind of phenomenon in my life. They're not just great shows, they're shows that resonate with young audiences.
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When I lived in London when I did 'Wicked' there, everyone told me the audiences might be much more reserved, but I found it was completely the opposite. They jumped to their feet sooner, even more enthusiastically than the New York audiences did, and they were just as warm and as enthusiastic and supportive as New York.
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The most successful people are so original.
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I pretty much have no life outside of the theatre. I go home every night, and I put the TV on, and I veg out and order food.