Nicholas Blincoe Quotes
I'm the opposite of the character in my novel: I've become more right-wing as I've got older.
Quotes to Explore
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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I can't do it every day. They're not going to give me much to hit right now. They're pitching me real well. If I get there, fine.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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Character is the indelible mark that determines the only true value of all people and all their work.
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Pakistan is a free country, so according to me, in a free country, it's every right of the citizen to live the way they wish.
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You take what you know, and you put it through your own prism. If I play characters that break down or cry, it's Gary Oldman crying; it's not the character crying.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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There is more for women in terms of character roles now. Judi Dench and Maggie Smith have constantly changed over the years and challenged themselves with different roles. That's impressive.
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Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.
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My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
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The contemporary crime novel is, at its best, a novel of character. That's where the suspense comes from.
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I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
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My central strength as an actor is the fact that I'm 6 foot 3. A certain power emanates from my size, juxtaposed with the fact that I try to find an element of sensitivity in every character I play. People enjoy seeing that because it goes against what we're led to expect as far as the way men are supposed to be - macho and all that.
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One of the things I really like about Victorian novels is the close anatomisation of character. People's gestures and mannerisms and the quality of their thought is very closely identified and analysed.
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I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
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When a script moves me, I find that I immediately understand a character. Of course not completely, but I do understand.
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I have women coming up to me and saying: 'I love your character! She's so empowered. She takes control; she gets what she wants.' That's another side of her. And I respect that in Joan. She says and does things that I would never allow myself to do.
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If you're going to make a movie about a character who is a supervillain, it's fantastic to have a core sense of empathy for that character.
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Some people are directors and I think they should stay behind the camera.
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I stay around the young boys in the studio; I want to learn from them, and at the same time, I have a lot to offer them.
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He who talks much cannot talk well.
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No matter what I write or speak about, it always has some connection to how our spiritual understanding impacts the world we live in. Whether I'm writing or teaching about nutrition, pilates, green living or meditation, all topics simmer down to self thought and intention.
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Nothing can be more contemptible than to suppose Public Records to be true.
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I'm the opposite of the character in my novel: I've become more right-wing as I've got older.
