Nicholas Blincoe Quotes
I'm the opposite of the character in my novel: I've become more right-wing as I've got older.
Quotes to Explore
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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I can't do it every day. They're not going to give me much to hit right now. They're pitching me real well. If I get there, fine.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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Character is the indelible mark that determines the only true value of all people and all their work.
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Pakistan is a free country, so according to me, in a free country, it's every right of the citizen to live the way they wish.
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You take what you know, and you put it through your own prism. If I play characters that break down or cry, it's Gary Oldman crying; it's not the character crying.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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Storytellers have the right to answer any question they choose.
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There is more for women in terms of character roles now. Judi Dench and Maggie Smith have constantly changed over the years and challenged themselves with different roles. That's impressive.
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With big, emotional roles it's very easy, especially if you've grown up in the American school of acting, to exploit your own pain. You have to be careful about that, because 9 times out of 10, your pain is not appropriate to the character.
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The moral and intellectual character of the Africans is widely different in different nations.
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Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.
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My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
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The contemporary crime novel is, at its best, a novel of character. That's where the suspense comes from.
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I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
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My central strength as an actor is the fact that I'm 6 foot 3. A certain power emanates from my size, juxtaposed with the fact that I try to find an element of sensitivity in every character I play. People enjoy seeing that because it goes against what we're led to expect as far as the way men are supposed to be - macho and all that.
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One of the things I really like about Victorian novels is the close anatomisation of character. People's gestures and mannerisms and the quality of their thought is very closely identified and analysed.
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I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
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These rooms are decorated in two days. It's all kept secret. The neighbors spend the night in each other's home. They don't see their finished room until the end of the second day. They have no say what happens in their own home.
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My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
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I'm attracted to playing people who aren't necessarily straightforward.
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I think the bottom line for Oregonians is that cleaner fuels mean cleaner air, and we need that, and we want that.
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Some men turn every quality or art into a means of making money; this they conceive to be the end, and to the promotion of the end all things must contribute.
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I'm the opposite of the character in my novel: I've become more right-wing as I've got older.
