Ben Drew (Plan B) Quotes
I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
Quotes to Explore
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I was shy. I was painfully shy, until fifth grade when I transferred to another school and befriended the class clown. And one day he was sick and I kinda stepped in for the class clown and I said, 'Wow, this is exciting, I'm a little bit nervous.'
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When someone has to intervene to defend the liberty of the press, that society is sick.
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I think it's time we all agree that gender stereotypes are simply the confabulation of our own mind.
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During my second draft pass on my last book I made 20,000 words happen in a week, which is practically supernatural for me, and it would never have been possible without three nights in a hotel in my own city.
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No, you will never see me on 'Dancing With the Stars.' Sorry.
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There is violence in real life but I would never impose violence in a film just to attract the audience.
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I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
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Growing up in inner-city Glasgow, it sometimes seemed to me money hadn't been invented.
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No man can purchase his virtue too dear, for it is the only thing whose value must ever increase with the price it has cost us. Our integrity is never worth so much as when we have parted with our all to keep it.
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I come from a dysfunctional family, so my views of parents and parenting used to be highly mixed.
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The principle though remains the same, and the important thing is CBS fought hard, very hard, to protect that principle and will fight again.
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I wasn't anything special as a father. But I loved them and they knew it.
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In many of the things that people do, they themselves are the centre of attention, but they inscribe some other name on their banner.
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Great art is the expression of a solution of the conflict between the demands of the world without and that within.
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I would say I've always lived creativity, but now I - I do it with an intention that's got a completely different power.
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I don't teach writing classes anymore, and I'm really glad I don't, because I would feel very strange about telling people, 'Go out there and be a writer, and make a living from it.'
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'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.
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I had a very difficult relationship with my father, which ended up okay, but there were many difficult years.
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As a beat reporter covering the CIA and intelligence world after the terrorist attacks of 2001, I could sense that many things I couldn't see or understand were changing, expanding, getting so big they were difficult to manage.
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It's nice to see that people in Middle America are really affected.
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I want to live in Paris for a couple of years. I'm dying to do the Josephine Baker story. I really want to be there and do it. It's certainly my intention to do it.
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There is no crisis in cinema. There are negative periods. There are times when some films are received well and others aren't. The past teaches us that some films were received badly, while others go sailing on.
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I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
