Ottmar Hitzfeld Quotes
Quotes to Explore
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There are no rebels in the cinema business.
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I don't know much about Americanism, but it's a damn good word with which to carry an election.
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For us, overseas employment addresses two major problems: unemployment and the balance of payments position.
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I thought 'Garfunkel and Oates' would be too confusing, but it ended up being confusing in the best of ways because the first time we played a comedy club, it was because they thought we were the real Garfunkel and Oates.
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It used to be that you came out of school, and you got married - those who were going to get married. But my peers are getting married in their early 30s, so now there's like this extra 10 years of that angst.
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I know my corn plants intimately, and I find it a great pleasure to know them.
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Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
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But I prefer to go to comedies. Give me Julia Roberts smiling anyday.
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Having kids is something I want to see in my future - I hope.
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Likewise nanotechnology will, once it gets under way, depend on the tools we have then and our ability to use them, and not on the steps that got us there.
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The functions of the family in a highly differentiated society are not to be interpreted as functions directly on behalf of the society, but on behalf of personality.
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One day I undertook a tour through the country, and the diversity and beauties of nature I met with in this charming season, expelled every gloomy and vexatious thought.
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If you have more money than your lifestyle, then you can either do something stupid or smart. That's not much of a choice. That's like saying, 'You are on the roof. you can either take the elevator, or you can jump.' That's not a choice.
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I went to law school with a plan of going back home and practicing law to support my farming, and Dad said, 'There's just not room here for us.' So I took off to practice law and got involved in some politics, and the rest just moved on forward.
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In 'Haraamkhor,' I have explored a few things which I wouldn't have been able to do in bigger films. The process of shooting this film was so organic that it enhanced me as an actor and an artiste.
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The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
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A lot of cats are not that social.
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I want to try everything.
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To make theater out of real life, you need to catch dialogue when it happens.
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I'm a visual person - when I write, my input is always visual. I worked in television for several years.
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I'm definitely caught up in the Kool-Aid of true-crime stories.
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I love to post behind-the-scenes photos of what is really going on. My twitter friends really seem to like that and the great thing is I can deliver them information right away.
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'Lucky' is for laughs, and there's really nothing funny that I'm doing on 'Dexter.' I think more than anything, both comment on the fact that anybody is capable of anything. Just because they are the shy guy in the corner doesn't mean that they are a harmless little bunny.
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That you get booed belongs to professional sports.
