Hanoi Hannah Quotes
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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You must not fight too often with one enemy, or you will teach him all your art of war.
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I think that everyone should be able to dribble. Everyone should be able to pass. Otherwise, why are you out there?
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Being well-dressed is a wonderful thing, but I don't think it should be life threatening.
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I love Winston Churchill; I think he had the grace of coming and the grace of leaving - when things were hard he was there, and when it was time to leave, he left.
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I think the fossil fuel industry is genuinely freaked out by the combination of the price collapse, the divestment movement, and that fact that renewable energy is getting so cheap so fast.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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I have to think of moderation, which is not a word that's in my vocabulary. But I try.
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On the last morning of Virginia's bloodiest year since the Civil War, I built a fire and sat facing a window of darkness where at sunrise I knew I would find the sea.
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We must think and act like a nation of a billion people and not like that of a million people. Dream, dream, dream!
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Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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Paper and ink are all but trash, if I cannot find the thought which the writer did think.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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You have to totally change the way that society's structured in order to being to heal.
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There is a deep connection, when we're talking about certain market forces and a legal structure that inhibits low or moderate income families from getting ahead. Eviction is part of a business model at the bottom of the market.
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When people ask whether virtual reality will be a real thing or just the next 3D, what I always say is, 'Take a headset, walk outside, and the next person you meet, put it on them and see what the reaction is.'
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But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - forgive me, comrade; how could you be my enemy?
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I knew it was happening, but I never paid much attention to it . . . just to the passage of time. Something new always slowly changes right in front of your eyes - it just happens.
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We advised them to do what they think proper against the war.
