Hanoi Hannah Quotes
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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You must not fight too often with one enemy, or you will teach him all your art of war.
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I think that everyone should be able to dribble. Everyone should be able to pass. Otherwise, why are you out there?
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Being well-dressed is a wonderful thing, but I don't think it should be life threatening.
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I love Winston Churchill; I think he had the grace of coming and the grace of leaving - when things were hard he was there, and when it was time to leave, he left.
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I think the fossil fuel industry is genuinely freaked out by the combination of the price collapse, the divestment movement, and that fact that renewable energy is getting so cheap so fast.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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I have to think of moderation, which is not a word that's in my vocabulary. But I try.
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On the last morning of Virginia's bloodiest year since the Civil War, I built a fire and sat facing a window of darkness where at sunrise I knew I would find the sea.
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We must think and act like a nation of a billion people and not like that of a million people. Dream, dream, dream!
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Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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Paper and ink are all but trash, if I cannot find the thought which the writer did think.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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I think journalists and filmmakers are keen observers. And actors must also be sharp observers as they draw their characters and their stories from what they experience around them. After all, that is what actors, filmmakers, journalists are trained to be: observers. And then they do something with their observations.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
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You can never plan the future by the past.
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In conversion you are not attached primarily to an order, nor to an institution, nor a movement, nor a set of beliefs, nor a code of action - you are attached primarily to a Person, and secondarily to these other things.
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We advised them to do what they think proper against the war.
