Raymond Queneau Quotes
Quotes to Explore
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The majority of men meet with failure because of their lack of persistence in creating new plans to take the place of those which fail.
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I did not love reading, spelling, math and science. I struggled. I was a terrible speller.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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While marriage is historically associated with dire obligation and clipped wings, I've found that it actually liberates you to take on adventure and achieve your dreams. I like to call my husband 'my person.' Find your 'person,' and you can do anything!
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99.5 percent of the people that walk around and say they are a social media expert or guru are clowns. We are going to live through a devastating social media bubble.
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You can observe a lot by watching.
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I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
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I make no claim to being a business genius. You can make so much money in this business that it loses its value.
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As you get older, the summer is less of a vacation and more of a training period by yourself away from the team. It's exciting for me. I felt like I've been really getting better as far as my conditioning every single season as I get older.
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Being a single mother was the right thing for me. But I have a tremendous amount of help from my friends. They're in love with my kids, and my kids are in love with them.
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I was not a rebellious teenager. I was a sit-in-your-room teenager.
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I think I played in Lambeau maybe 14, 15 times. I've played there a lot of times. It's in the teens, double digit. I've had success on that field, won and lost.
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People always say to me, 'It must have been wonderful coming from old Hollywood, with all those movie stars,' but I never knew anyone. I didn't even know who Charlie Chaplin was. My parents really kept me away from it all.
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We're still in a recession. We're not gonna be out of it for a while, but we will get out.
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There was a sadness over me, a melancholy. That's always been a part of me – those are some of the things that lead you to the arts.
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We need to just study what other countries have done. There are examples of a strong partnership between the defence establishment and the private industry.
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Belief like any other moving body follows the path of least resistance.
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Apple has made this commitment that it's a green company. So how do you fulfill your commitment if you don't consider you have responsibility in your suppliers' pollution?
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The time of illusion, then, is the beautiful moment of passion; it represents the artistic zone in which the poet or romance writer ought to be free to do the very best that he can.
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You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.
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Women are more than 50% of almost every country in the world. Countries rob themselves of the resources of women if they keep them as property. It isn't that women can't find work. It's just that women don't get paid for their work and are not recognized properly. It's something that has to be on the international agenda all the time.
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Work on your strong qualities and become resplendent like the ruby. Practice self-denial and accept difficulty. Always see infinite life in letting the self die. Your stoniness will decrease; your ruby nature will grow. The signs of self-existence will leave your body, and ecstasy will take you over.
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Shooting this show is pretty intense. You lose your life. But I have no life, so it's perfect!
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Man's usual routine is to work and to dream and work and dream.
