Raf Simons Quotes
One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
Quotes to Explore
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I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
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A few weeks after my mom passed in November of 2013, I came back from an injury and entered the Egg Bowl in the second half against Ole Miss. I'll never forget the feeling when I walked back out on the field. As I walked into the Egg Bowl, the crowd stood up and clapped like they were enveloping me in a giant hug.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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You've achieved success in your field when you don't know whether what you're doing is work or play.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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I grew up playing on unprepared surfaces where your wicket depended on quickly adapting to the bounce. As a kid, I could never differentiate off-spin from leg-spin. All I looked to do was to try to hit the ball before it pitched.
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There are just so many young designers now.
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This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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I have got the best of both worlds; growing up in Edinburgh and now living outside Glasgow.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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Some things is made by destiny, yes, other things by hard work, but quality you don't learn. Quality you are born with.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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One of the defining dynamics of 2008 has been the emerging wave of new, young voters getting involved and storming the gates of the traditional political establishment.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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I grew up kind of a tomboy and I used to fight with all the neighborhood boys.
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I'm still walking around New York like a tourist staring up at all the skyscrapers. I wave at people, I shake hands, I help ladies with strollers.
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As a company itself, Apple is very easy to understand. They're really not a complex company.
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I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
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I don't think Yahoo can be Facebook tomorrow, and don't think Yahoo wants to be Facebook.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
