Raf Simons Quotes
One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
Quotes to Explore
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I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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You've achieved success in your field when you don't know whether what you're doing is work or play.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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I grew up playing on unprepared surfaces where your wicket depended on quickly adapting to the bounce. As a kid, I could never differentiate off-spin from leg-spin. All I looked to do was to try to hit the ball before it pitched.
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There are just so many young designers now.
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This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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I have got the best of both worlds; growing up in Edinburgh and now living outside Glasgow.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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Some things is made by destiny, yes, other things by hard work, but quality you don't learn. Quality you are born with.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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One of the defining dynamics of 2008 has been the emerging wave of new, young voters getting involved and storming the gates of the traditional political establishment.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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Our sweat and our blood have fallen on this land to make other men rich. The pilgrimage is a witness to the suffering we have seen for generations.
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Every story teaches you how to write that story but not the next story.
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And the wind shall say: 'Here were decent godless people: Their only monument the asphalt road And a thousand lost golf balls.'
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Whenever I meet Ukridge’s Aunt Julia I have the same curious illusion of having just committed some particularly unsavoury crime and-what is more-of having done it with swollen hands, enlarged feet, and trousers bagging at the knee on a morning when I had omitted to shave.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
