Red Gerard (Redmond Gerard) Quotes
Quotes to Explore
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Where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
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Hebrew is the language I use to thank the Creator and, also, to swear on the road.
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I'm part Cuban, so anything with a good beat like Rumberos de Cuba gets me going.
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I will never do a record without some sense of responsibility.
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I learned this early on in the variety business: You've got to give folks responsibility, you've got to trust them, and then you've got to check on them.
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Adversity leads us to think properly of our state, and so is most beneficial to us.
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In a bigger picture, all over the world is a boys' club.
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I use loads of moisturising products and make sure I cleanse, tone and moisturise every day. It's just so important to always keep your skin moisturised.
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Fiction is the thing I esteem most in my own work; I feel that, even if it's no good, only I could have written those books.
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It seems to me there is a change in what audiences want to see. I can only hope that's correct, because there's an awful lot of people of my age around now and we outnumber the others.
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Our knowledge is a little island in a great ocean of nonknowledge.
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Everything, at first, is an idea, a special creation.
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As a kid, I would push my shoulders forward in order to hide my heart from being hurt.
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Abatement in the hostility of one's enemies must never be thought to signify they have been won over. It only means that one has ceased to constitute a threat.
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Have you noticed how most directors are either bald or grey-haired?
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I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.
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I don't claim to be a great vocalist, but I know how to work my voice with its limitations. My talent is I know how to work what I have. It might not always be a picture-perfect performance, but what we look for is the emotion.
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My husband and I have known each other since kindergarten. I had a crush on him in school, but we never dated. Then we saw each other again after high school, and there was something instantly familiar about him. I'm a very shy person and was very closed off. But he allowed me to be myself. And there's a safety in that.
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I call a complete and generous education that which fits a man to perform justly, skillfully, and magnanimously all the offices, both private and public, of peace and war.
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I'm Muhammad Ali's daughter, but my father and I are very different in that area. I don't necessarily try to put on a show. That's what my father's thing was, and he was great at it. Everything I say is because I feel it, and it comes out of my mouth. It's not scripted.
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The proletarian works with the instruments of production of another, for the account of this other, in exchange for a part of the product. ... The proletarian liberates himself by abolishing competition, private property, and all class differences.
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The most important images for human beings are simply words, which are abstract symbols. ...Evolution has greatly enlarged the front lobes of the human brain, which govern the sense of the past and the future; and... they are probably the seat of our other images.
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I try not to think too far into the future; I'm kind of a day-by-day kind of guy.
