Eduard Hanslick Quotes
The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens.
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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Music was a way of rebelling against the whole rah-rah high school thing.
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Any time you can give consumers more of what they want, it's a good thing. Unbundling the album is a good thing. In the case of music - because it is content that you can slice into songs - doing that is of huge benefit to consumers.
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Let me tell you something - being thought of as a beautiful woman has spared me nothing in life. No heartache, no trouble. Love has been difficult. Beauty is essentially meaningless and it is always transitory.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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Music means different things to different people and sometimes even different things to the same person at different moments of his life.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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I actually spend very little time listening to any new music.
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I have freckles; I don't like covering up too much. I like things dewy and natural, and I think that having moisture in your skin is really beautiful and youthful - sometimes that's more important than coverage.
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Young kids should be doing music that has shock value. They'll grow out of it.
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The best thing about being on the road in general is just playing every single night in front of people that are genuinely fans of your music.
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Music is the best means we have of digesting time.
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For some reason, people imagine that dramatic things happen to people who don't look beautiful.
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There are half a billion people that listen to music online and the vast majority are doing so illegally. But if we bring those people over to the legal side and Spotify, what is going to happen is we are going to double the music industry and that will lead to more artists creating great new music.
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I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
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But I really believe that you don't do music because you want to, you do it because you have to.
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I listen to lots of artists. But I remember discovering John Mayer, whose music made me want to write my own. And so I did.
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I think being a little older and a little more determined and being a little more evolved in my case and maturity in the kind of music I was doing and how I was doing it really helped to keep me grounded and with an audience that could appreciate what I was doing, who grew with me and evolved with me and kept me alive and around.
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The choice is not between drugs and no drugs, but between illegal drugs and legal drugs. Until the 1920s drugs were legal, why not now? Lots of people are on drugs anyway - it is called medication.
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Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.
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If I can reach the guy in Alabama that hunts, and he hears that song, and he sees me - like, he's comfortable with me, my image as a person, as an artist - he's willing to sit down and give that song a chance.
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The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens.
