Arin Paul Quotes
Quotes to Explore
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A person's life is of their own making, and I take full responsibility for mine.
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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For every person that doesn't like you, there's gonna be somebody who does.
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I'm a really heavy sleeper. When I wake up I'm a terrible morning person.
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Any concept of one person being superior to another can lead to racism.
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I felt that Balanchine was my father towards me. He was the person I most admired and looked up to.
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Our dream as actors is to tell interesting stories about interesting people.
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I'm not cool at all. I'm the least cool person I know.
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Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections.
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It's interesting that a lot of female artists want to collaborate with me.
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I'd like to see one person - just one - who would own up to having been a coward.
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Remember that failure is an event, not a person.
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Everyone wants me to be this political person... I'm not Malcolm X.
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Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.
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For a person who promised hope and civility in politics, Mr. Obama has shown a borderline obsessiveness in blaming Mr. Bush.
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I'd spend every summer in Longview on my grandfather's farm. It was a tiny little town divided by a river, which was the segregation line: that side white, this side black. And meanwhile, I lived in Compton - basically, another whole world sealed into 10 square blocks. It's interesting how insular an environment can be.
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The person who seeks all their applause from outside has their happiness in another's keeping .
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I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day. That fascinates me, because it seems to be symbolic of something going on in the culture itself, and I also have a sort of innate admiration for the stubbornness it requires to actually make those things physically. It's become incredibly difficult. In North America, we've largely forgotten how to do it.
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It was extraordinary 'cause I was 17 years old when I first danced with Edward Villella. And we were both young. But I had seen him dance, and he was already a star. So he was just so gentle and wonderful and kind, and we had a great rapport together. He was one of the most exciting dancers of our day.
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If you snap off people's heads and get on to a kind of a pedestal, it's more difficult for people to approach you. It's much easier if you are down there with them. They will talk to you.
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My father, Melvin van Peebles, and my mother were both very active politically when I was a kid. The first time I was allowed to stay up late was to attend a demonstration.
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I took a page from the playwright Wendy Wasserstein's book. She said 'I'm not a feminist, I'm a humanist.'
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Anjan Dutta is one of the most interesting persons I have ever met.
