Arlene Louise Croce founded Ballet Review magazine in 1965. She was a dance critic for The New Yorker magazine from 1973 to 1998. Prior to her long career as a dance writer, she also wrote film criticism for Film Culture and other magazines. The keynote of her criticism can be grasped from her ability to evoke kinesthetic movement and expressive images in her writing. Although she considers ballet to epitomize the highest form of dance, she has also written extensively on the topic of popular and filmed dance, and is a recognized authority on the Astaire and Rogers musical films.
