Arlene Dickinson Quotes
Quotes to Explore
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Losing a child is probably the singular most horrible thing.
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.
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There's something nice and intimate about having a book. You know that someone's actually gone on this journey. You know that someone has actually researched and reported all these things. You can see and hear their tone in what they chosen to include and what they haven't.
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The past always looks better than it was. It's only pleasant because it isn't here.
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Emotionally, shows like 'Cheers' and 'Taxi' were classic sitcoms when I was growing up.
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You always have to be on at times, and occasionally people get upset if you say no to a picture when you're eating dinner or something, and that's kind of the hard part. Or if you get crazy rumors that swirl around you from time to time that are just silly.
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Like the Britain of Beaverbrook and Kipling, Japan in the early twentieth century was a jingoistic nation, subduing weaker countries with the help of populist politicians and sensationalist journalism.
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I look for something that is highly unusual, involving ordinary people caught in extraordinary situations.
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While having a profound impact on the development of values is surely an important job of a good parent, force-feeding opinions to them is not.
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Some people try to cyber bully me; they try to get to me with words, but that doesn't really work.
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I even don't dare to watch our stock price, because this is what other people think who you are. I dare not watch it. I think, let the market take care of themselves; we should take care of the business.
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Ferran Adria making hamburgers... some thought it was crazy. But getting them perfect was a challenge. Plus I'm fascinated by all aspects of food.
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Modeling can be a bit brain damaging. Starting my own brand was what I needed to do. I only model if there are such good jobs that you don't want to say no to. All that dressing up makes me say, 'What do I want to wear?' and, 'What do I want to do with Topshop?' It all kind of leads into the other things.
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The early part of my career was the 1990s, and I was living in New York working as an actor. It was the world I was in. A lot of companies had a great deal of money.
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I'm not bleaching my skin, and if I was bleaching my skin and I felt like saying so, I would, but for the record, I am not.
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One second I'll be listening to country, and then the next I'll be listening to rock and then R&B. It's ridiculous. I'm all over the place with my music.
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If you stand up for women, then don't bash me.
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I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
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I got a way to get through to kids. I try to take that and use that to my advantage. If we work on the kids right now, I'm telling you, they'll be making less mistakes, the jails will be gettin' less full. It's all about what we do with the kids.
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One of the reasons we don't have our deficit under control is because Republicans are wusses and won't tell their base a simple fact that everyone knows. We can't eliminate the deficit without raising some revenue... They're wusses.
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My belief, for what it is worth, is that city dwellers cannot understand the world. Insulated from reality by complex and expert systems of provision and police, baffled by fashion and spectacle, city dwellers can distinguish neither the sources of their existence nor the consequences.
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People give up control because they don't want to make mistakes.
