Edmund White Quotes
I was working for Time-Life Books from 1962 to 1970, as a staff writer, and after that, I was a journalist. Eventually, I became an editor at 'The Saturday Review' and 'Horizon.'
Quotes to Explore
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I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
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I thought Beverly Hills was a gated community. I always drove around Beverly Hills because I thought that there's a guard that was going to stop me.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
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I can't be bought. I don't need to be bought. I'm not a careerist. I don't need to have a career in politics. I'm in a very, very luxurious position, but I am in a position of strength.
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I think I've always been somebody to break rules.
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Both my parents are immigrants. I've seen different struggles they've had. There's a reason you don't see me using accents. I don't do impressions of my folks. When I'm doing a crappy impression of my folks, and you're laughing, I'm thinking, 'When my parents talk to people, when they walk away do people do impressions of them? Do they laugh?'
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Most of the time, as a model, I feel like I'm just a doll. They control how I should move.
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I have a garden. We have fresh tomatoes and strawberries. People are different here... People out in California, they grow up quicker. They have a lot of excess, and they have a lot more things than we do here in Hungary. There, they start doing makeup when they're 13, when we would still be out in the countryside making sausage.
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Back in the '70s - I remember the '70s: we were told there was global cooling. And everyone was told global cooling was a really big problem. And then that faded.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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The best a health care system can do is to equip itself to meet the needs of each individual woman and birth. Those needs run the gamut from undisturbed home birth to planned cesarean section.
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I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday.
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Watching game film motivates me a lot. It shows me what I need to work on and determines the specific workouts I do.
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Novelists have to be adept at controlling the flow of information, and, most crucially, they have to be in charge of the narrative.
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My most memorable moment came in 1985 as we beat the Boston Celtics.
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It was around the summer of 1982 when the drug problem really impacted. It became a lifestyle rather than a recreation. When you start lying and stealing, you cannot con yourself you're in control any more.
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I just consider being one of the luckiest people in the sense that creativity came to me and it flowed.
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It's new and different every night. The charge you get from a good audience is like nothing else.
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I locate a great deal of the power of Occupy Wall Street in the name itself, 'Occupy Wall Street,' or '#OccupyWallStreet.' It works because the name contains everything you need to know: the tactic and the target. The name is also modular. You can create your own offshoot in your own city.
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It turns out kids today still learn that four-chord progression when they're just picking up the guitar.
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I get butterflies every time a record comes out. I'm like, 'I hope people like it. I hope people buy it.'
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The greatest remedy for anger is delay.
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I was working for Time-Life Books from 1962 to 1970, as a staff writer, and after that, I was a journalist. Eventually, I became an editor at 'The Saturday Review' and 'Horizon.'
